Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
Out in the country her journey had been plain flying. She had skimmed
over the fields and hills like light in a happy hurry. But gradually
the air became heavier, and her wings, which in a joyous atmosphere
could have moved unweariedly for almost an eternal time, lagged. She
struggled along bravely, and, not for the shred of a moment, wavered in
her purposes: but eventually, bewildered by the clamour beneath her, the
closeness and thick smoke, which overhung everything--there was the pall
which, lighted, was visible from Fairyland--felt her powers vanquished.
She tried all her arts--the fairy arts--to make the way easier; but the
spoilt air of London oppressed her--it was to her--who more
sensitive?--as fiery breath from dragon’s nostrils, nauseous.
The crown pressed on her brow with a heavy rim of pain. She clung to
remembrance of the children who needed her.
She became as helpless in the hands of circumstance as a snowflake, the
sport of winds; was borne hither and thither, buffeted up and down as
though mighty mischiefs made her their shuttlecock.
For hours she was hustled along in this condition of blind bewilderment:
and then--slap!--felt herself brought sharply against a window-pane, for
all the world as if she were a blind wasp or blue-bottle imprisoned in a
summer room. She tumbled and clung desperately to the rough stone sill
whereon she found herself; and there rested, breathless, draggled,
exhausted.
She was the tiredest fairy in and out of Christendom.
So June found Paradise Court.
She rapidly recovered, and looked about her.
"This is very, very ugly," said she to herself. "The fairies can’t have
been here for ages."
She touched the dingy window-pane with her wand. The glass divided and
opened inwards, as if its two parts were separately hinged; but the
atmosphere of the room was so old and very evil that June waved the wand
and closed the pane in a hurry. Human eyes, examining the glass, ever
so carefully, would have been positive it had never been parted.
Brothers, how blind we are!
"Can the fairies ever have been there!" murmured June to herself.
She cleared the pane with wishes. It became so clear and burnished that
the glass itself seemed invisible; and then, pressing forward eagerly,
she looked inside the room, and examined mankind in one of its cages.
"It is a good thing they are shadows, and cannot know or feel very much.
If they were as real as we are, that would be bad--bad! Even now I
should like to turn them into sparrows; they would be far more fortunate
so. Poor people! And there is a child!"
The sight of Sally Wilkins working constantly with ever-weary hands,
made June so to tremble and shake with agitation, that she nearly
dropped her wand and fell from the sill; but once more she clung with
her infinitesimal hands to the narrow column of wooden framework, and,
beginning now to feel indignant and angry, looked still more eagerly
into the room.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account