Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
In twenty-five minutes it was back again, with Bim clinging to its feet.
June praised the pigeon and touched it, giving it nobler plumage. It
was no longer grey and ordinary, but brightly speckled and a pouter.
Sudden pride ate up its quieter qualities. It did not wait even the
tail-end of a minute, as courtesy required, but was up in the pigeons’
dormitory over the architrave, as swaggering and important as Bumble,
showing off and strutting before its mate, who woke from domesticated
dreams of well-laid eggs to gaze and grumble. She had been quite
contented with the lord and master as he was.
Bim’s sleep had restored him. He was once again his old berry-hued
self, and June’s as devotedly as ever.
Mr. Oldstein had long since entered the Mansion House and been welcomed
by the host and Chief Magistrate of the City, Sir Titus Dodds; but not
all the guests had yet arrived. The most important--the representatives
of the Church, the State and the halfpenny Press--were in fact but then
arriving. So June flew and Bim scrambled up the red-covered steps
together, and entered the palace of feasting in good time to share the
greatest event in Oldstein’s life.
Bim stared at the stockings of the footmen, awed, and Emmanuel followed
his example. He admired and examined the mayoral furniture,
appurtenances, ornaments; the busts, pictures and tapestry, appraising
their value with eager professional interest. It must have cost a good
twenty thousand pound! He determined to remodel his own drawing-room on
Mansion House principles, provided he had good luck in Wardour Street.
He regretted now that he had not sought civic responsibilities and
honours for himself. Dear, dear! Economy is a bad policy when it costs
anything. He began to know golden-chained hopes; but the ambition never
extinguished the tradesman. He wondered whether he might
surreptitiously drop one of his Jabez Gordon circulars on that corner
ottoman, and decided not to do so. There were too many risks.
He wished that his wife, Hannah, Becky, Max, could have seen him in his
glory, waiting amidst that high company, and that they might have
watched him shaking hands with the Lord Mayor--his fingers tingled with
pleasure still. He must have an appropriate coat-of-arms--something gold
and scarlet, with a rampant lion if possible. Social ambitions
quickened within his brain. Yes, he would come into public life, if it
did not cost too much.
So Emmanuel Oldstein went on building his castles--forgetting,
forgetting they were based on piles of clothing sewed and made saleable
by the needles of sweated women. That aspect of facts did not even for
a half-moment occur to him. This was the prevalent fact--that he was a
gentleman, enjoying the company of baronets and Common Councillors,
received within the hospitable walls of that Zion of commercial probity
and prosperity--the Mansion House.
Public-domain text, read in full here on John Shaqi.
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