As he was emerging from St James's Park into Victoria Street a woman
accosted him. He looked at her, did not recognise her, and moved to
pass on, for he was fastidious and took no interest in chance women.
She was a little woman, very alert, and she was rather poorly dressed.
She was young, but already her lips had stiffened into the hardness of
baffled hope and passion and her eyes smouldered with that
extraordinary glow which rouses a pity as cold as ice.
'I saw you were back in the papers,' she said. 'It's a pity you can't
hide yourself.'
Charles stared at her, stared and stared, cast about for some excuse
for pretending not to know her but remained rooted.
'You're not so young as you were,' she went on. 'There's a lot of talk
about you in the papers, but I know you; it's all talk.'
'My good woman,' said he, 'is that all you have to say?'
'It'll keep,' said she, and she turned abruptly and left him, feeling
that all the strength had gone out of his legs, all the feeling from
his bowels, leaving only a nauseating pity which brought up memory upon
memory of horrible emotions, without any physical memory to fix them so
that he was at their mercy. At last physical memories began to emerge,
rather ridiculously, theatrical lodgings, provincial theatres, the
arcades at Birmingham. And a blue straw hat that he had bought for her
long ago; and at last her name. Kitty Messenger, and her mother, a
golden-haired actress with a tongue like a flail in one temper, like
the honey-seeking proboscis of a bee in another.
'I had forgotten,' said Charles to himself. 'I really had forgotten.
Well--money will settle it. I shall have to do _The Tempest_ for that
fish.'
Thinking of the money restored his sense of serenity. Wonderful money
that can swamp so many ills: money that means work done
somewhere--work, the sole solace of human misery. But Charles had no
notion of the relation between work and money, or that in using up
large quantities of it he was diverting to his own uses more than his
fair share of the comfort of humanity. He had so much to give if only
humanity would take--and pay for it. What he had to give was beyond
price, wherefore he had no qualms in setting his price high.... From
_The Tempest_ boundless wealth would flow. He quickly persuaded
himself of that, and by the time he reached his furnished house had
lulled his alarm to sleep and had allayed the disgust and loathing of
the past roused in him by the meeting with Kitty Messenger.... So rosy
had the vision become under the influence of his potential wealth that
he met Clara without a qualm, and forgot even that Sir Henry was like a
fish in an aquarium.
'We got on splendidly,' he said, 'and I am to have the whole theatre
for _The Tempest_ in the Autumn.'
'I told you I was right,' said she.
'Bless you, child,' he cried. 'You always are, always. And now we
will go out and drink champagne--Here's a health unto His Majesty, with
a fal-lal-la.'
Public-domain text, read in full here on John Shaqi.
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