Burney, Charles, 1726-1814 -- Parodies, imitations, etc.
“It is true, that the greater part of these faculties was taken from
him at the Fall, and have been very sparingly bestowed upon his
descendants; from hence arises that degeneracy into which music has
fallen in the modern ages of the world: that sublime science, instead
of expressing the natural passions, by a judicious imitation of the
tones of beasts; instead of roaring out the lion’s rage; bellowing
the jealousy of the bull, or chanting the amorous passions of the
nightingale, is become a meer unmeaning jargon, without force or
energy, and its professors and admirers are dwindled into the most
contemptible part of the creation; quavering eunuchs, unfeeling
prostitutes, insignificant blockheads, wretches without head, or heart,
or sentiment, or enthusiasm.”—I was too sensible that there was but too
much truth in this gentleman’s observations, though I could not assent
to every thing he said against our modern _virtuosi_, among whom envy
itself must acknowledge there are some accomplished characters; and the
eighteenth century will always glory in having produced an ELECTOR OF
MUNICH, a TENDUCCI, and a MUS.
“But,” said my friend, “perceiving this to be the lamentable state of
things, I have with true and indefatigable industry applied myself to
the restoration of the first _Adamitical_ harmony; I have selected
the most admirable notes from every animal, and have already acquired
a tolerable proficiency in bellowing, braying and grunting: I indeed
found that the _squall_ of the peacock was two notes too high for my
voice; but in return, if I may say so without vanity, I can inspire
every hen and gosling in the yard with tender sentiments. I have,
besides this, collected every great natural genius that I have found
among the brute creation; I have a young he-ass who has an admirable
bass; a young hog, (a _castrato_) who sings counter-tenor; and a dear
little cat, whom, in honour of that illustrious name, so celebrated in
the Doctor’s tour, I call MINGOTTI, who has an excellent treble, and a
surprising _portamento_. But why waste I time in description? you shall
see my scholars, and my _schola_.”
Public-domain text, read in full here on John Shaqi.
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