Burney, Charles, 1726-1814 -- Parodies, imitations, etc.
Saying this, he led me to a large building, which resembled a barn,
where we were received by the _Maestro di Capella_, who was an old and
deaf huntsman. The first object I beheld was a beautiful she-ass in a
_Mecklinburgh_ night-cap, who brayed a solo. Her voice was one of the
clearest, sweetest, truest, most powerful and extensive I ever heard.
In compass, it is from _B♭_ on the fifth space in the bass, to _D_ in
_alt_, full steady and equal; her shake was good, and her _portamento_
admirably free from the nose, mouth, or throat. We were then
entertained by a duet between the _Mingotti_, and a large raven, in the
_chromatic_, which grew more spirited by my friend’s pulling a bone out
of his pocket, which he threw to the performers, and thereby produced
a _conflicta_. I then told my friend that I would willingly hear the
_castrato_, but he told me he was afraid the _Caffarelli_ could not
oblige me in that particular, as he had unfortunately taken cold by
rolling too long upon an unaired dunghill, and was then actually in a
course of sugar-candy. However, he threw a turnip to encourage him to
exert himself, and I could judge from what I then heard, that he is
likely to become a most masterly performer.
My friend then tied strings to the ears of six young greyhound puppies,
which he twitch’d with so much art and judgment by means of a pully,
that I think the effect was equal to any _viol di gamba_ I ever heard,
not excepting that of the Elector of _Munich_.
My friend then suspended two cats by the tails, which he contrived
should alternately bob upon the noses of two sucking pigs, who were
tied by the hind-legs to the floor: though I observed these performers
were somewhat embarassed in their manner, yet I could not but
acknowledge the effect was quite original and truly theatric.
Mr. _Quaver_ then told me that he had formerly introduced some of these
performers to sing at a concert, but without success: and he made great
complaints of the unpoliteness of the audience, which he said could sit
with patience three hours to listen to the unmeaning trills of heroes
in hoop-petticoats, and _Italian_ vagabonds in a strange language,
while they would not bestow one half hour upon the voice of nature and
their brethren. Tho’ I was quite ignorant of the facts he alluded too,
yet, like Dr. MUS, I was so partial to talents, wherever I found them,
that I could not help condoling with my kind host upon the occasion;
and after having bemoaned the degeneracy of the times, and wished him
success in his truly original undertaking, which I promised him I would
take due notice of in my intended work, I set forward on my journey to
_Bristol_.
Public-domain text, read in full here on John Shaqi.
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