My Actor-Husband: A true story of American stage life — John Shaqi
My Actor-Husband: A true story of American stage lifeAnonymous
General
My Actor-Husband: A true story of American stage life
Anonymous
Actors -- Fiction; Married people -- Fiction; Theater -- Moral and ethical aspects -- Fiction
The Irish comedian figured the average income of an agent who "placed"
several hundred actors, with salaries ranging from thirty to three
hundred dollars a week, at $5,000 a year. "And from the fish-hand they
give you when you come lookin' for an engagement you'd think _we_ were
the grafters--damned old parasites!"
When, at last, the lady agent returned from her conference, I timidly
made known my wants. Perhaps I looked like a "non-retainer," as the
comedian dubbed them, for the corpulent person looked me over
suspiciously.
"Had any experience?" she broke in.
"One season," I responded.
"Well, you might leave your address," she snapped, and directed me to an
assistant.
I went back to Miss Burton's friend. Mr. Tom was an Englishman, with the
manners of a gentleman to commend him if nothing else. He greeted me
pleasantly and asked me to wait. My heart bounded in anticipation.
Presently he handed me a letter. I recognized the address upon the
envelope as that of a prominent manager. I was told to go to his office,
present the letter and return to report the outcome to the agent. I
rushed off with my mind in a whirl. Already I was outlining a telegram
to Will, telling him of my engagement. I began to plan how I should
remake my last season's dresses to avoid the expense of a new wardrobe.
Only once before had I gone direct to a manager for an engagement. I
look back upon the incident I am about to relate with amusement at my
own expense. To anybody and everybody who is interested in the stage the
name of Charles Frohman was and still remains a kind of magic. When it
was determined that the stage was to be my avocation--I use the word
advisedly, since I had never been taught to look upon any profession in
the light of a vocation--I came direct to New York with the purpose of
calling upon Mr. Frohman, and placing my talent at his command. I
remember I dressed myself carefully. I even powdered my face heavily, to
give the ear-marks of intimate acquaintance with the make-up box. When I
entered the office in the Empire Theatre Building, the office boy was
engaged in pasting newspaper clippings in a scrap-book. A pretty, pert
girl was type-writing at the other end of the room. The office boy
looked up enquiringly. I took my courage in both hands.
"Is Mr. Frohman in?" I enquired.
The boy shuffled into the adjoining room. I busied myself by looking at
the photographs of the actresses which lined the walls; my heart was
pumping fiercely, but I "acted" the part of a young lady with plenty of
_savoir faire_. The boy returned, followed by a middle-aged man who
smiled pleasantly upon me.
"Mr. Frohman?" I ventured.
"Mr. Frohman is not in," he responded with a bland smile.
I was about to enquire when he was expected when I caught the reflection
of the office boy in a mirror on the wall. He was winking broadly to the
girl at the typewriter; I felt the blood rising to my face, and I fear I
made a somewhat confused exit.
Public-domain text, read in full here on John Shaqi.
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