Americans -- China -- Biography; China -- Social life and customs -- 1912-1949; Franking, Mae M.
From the ceremonies that took place before this altar at various times,
my husband kept himself, his wife and children sedulously aloof. It was
neither asked nor expected that he would do otherwise, just as our
attendance at the little mission church was accepted without question.
At other times, however, I had ample opportunity to study the altar and
to enjoy the beauty of its massive carvings, its elaborate
incense-burners and candlesticks, its exquisitely wrought embroideries.
A porcelain image of the Buddhistic Goddess of Mercy in her character of
Son-Giver, set within a large glass case, fascinated me by its
remarkable resemblance to certain Catholic images. But the ancestral
tablets interested me more, and the respect that I have always accorded
objects sacred to others was in this instance mingled with profoundly
personal feelings: the inter-blended characteristics of those men and
women so many years dead and gone lived on in the man who was my
husband; their life currents pulsed warmly in the veins of my children;
perhaps some deep insight gained beyond the grave enabled them to know
how truly I acknowledged my debt to them, how earnestly I hoped those
children might not prove unworthy of their heritage.
With the help of Chan-King's coaching and my personal observations, I
soon learned the gracious routine of the house. At ten o'clock every
morning I presented myself at the door of Madame Liang's apartment and
sat with her for several hours, often over tiffin, even till tea-time,
if she signified a desire for my company. If the weather was fair, we
would walk in the garden, she leaning lightly on my arm, her cane
tapping on the flagstones. At times, also, tea was served here, with the
small children joining us for hot milk and sweet cakes.
I was several days in getting the members of the household identified in
their proper relations, for there were thirty persons gathered in that
big, low-roofed, rambling compound behind the high, enveloping wall.
They were nearly all women, and two-thirds of them servants. The quiet,
soft-mannered woman relatives spent nearly all of their time in their
own apartments. Madame Liang's powerful personality, silent and
compelling, paled the colours of nearly all the temperaments around her.
Her friend, Madame Chau, was immensely comforting to her, for she could
not be persuaded to take anything very seriously. Madame Liang laughed
with her more than with anyone else. While they busily embroidered, they
gossiped, and I listened to their musical speech with its soft southern
accents and chiming, many-toned cadences.
Public-domain text, read in full here on John Shaqi.
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