The popular phrase about Greeley’s old white coat had some foundation in fact, but not much. He did wear a light drab overcoat when I first saw him, with the full pockets spreading out on each side. As it suited him he wore it many years afterward, and when it was quite worn out he had another one made just like it which he wore many years more. I doubt if he ever had more than two of these famous garments, but it is true that these two, always supposed to be the same old white coat, were known all over the Northern part of the country. As late as the first Grant presidential campaign, Elder Evans, inviting him to make an address before the Shaker community at Harvard, Mass., asked him to please bring “the old white coat, that our folk may know it is you, for sure.” It is possible there may have been some little feeling of resentment against this sort of patronage expressed in the dragging on of the old white coat with the sleeves awry and the collar turned under, but I am sure that as a rule Mr. Greeley gave very little thought as to wherewithal he would be clothed. Horace Greeley never had half a chance to develop the finer qualities of his nature—and he knew it. He was a tremendous worker and as an aggressive editor, an ambitious politician and an ardent reformer, driven like a steam engine, he could give little heed to the slings and arrows of outrageous fortune, but he was sensitive as a girl to rebuffs bringing to mind what might have been. Among friends with whom he felt at home and in really congenial company, he was a different being from the hard hitting fighter and eccentric philosopher known to the public. At our home he was with the children like a child, genial and companionable as an elder brother. In the house of the Carey sisters, where I saw him years later, he was happy and care-free. Phoebe and Alice Carey, poets and essayists, had Sunday evening gatherings at their home in New York, where the choice spirits of the literary world held converse after the manner of their kind, as at the assemblies in the Paris salons of the 18th century. In this company Mr. Greeley was at his best, animated, witty and charmingly affable. He realized, only too well, that his best was wasted in the strife which was his daily portion and which ended in the disastrous defeat that cost him his life. The flashes of aroused egotism that sometimes blazed out in red-hot words, were only signs of impatience and regret that he had been deprived of opportunity to cultivate the amenities and graces of life and to gain control of the higher powers he consciously possessed. Any one who will take the trouble to-day to read his later writings, his tribute to old friends and his essays like that on “Growing Old Gracefully,” will be led to know that Horace Greeley had the soul of a poet.