Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
His face was slightly out of
proportion, slightly unsymmetrical, and this characteristic gave it a
look of rugged beauty and strength. He would come back out of the nowhere
into which he had gone, smiling at Theodosia’s door, his smile placed
slightly to one side of his face, and she would cry out, “For heaven’s
sake, it’s Frank!”
Conway was lovely in his approach and in his greetings, always offering
a charming promise of some approximation. His soft accents were a blend
of Virginia English and negro tones. He was slender and tall, slightly
vague as to what he wanted of life and the world, happy in himself, a
lover of himself and of life. He liked to sit beside Theodosia and talk
of his day, uncommitted to it now it was over. He worked somewhere in
the town, but his work stood beside him as a commonplace and was never
an object to be attained with sweat and thought. He loved himself anew
in the warmth of her presence, that she knew. He would sit idly in his
chair, faintly smiling, happy over anything she remembered to tell of
her day, and happy over his own memories and vague comments. He made
light matters of all the heavy affairs of business, of family, of care of
any sort. He wore the cleanliness and freshness of his linens as if he
imparted these qualities to them, as if he yielded these qualities with
his easy, careless gestures and uncommitted mood. Gone from her, he kept
always in Theodosia’s mind as that which lent grace to any morning into
which it might come, into any evening, any memory, so that she smiled
faintly if she thought of him. She knew his delicacy in some harsh way,
in some hard framework of knowing that lay over her momentary joys in his
radiance, in his beauty. Once, into the midst of the intoxicating vapor
which surrounded her sense of him, her own voice spoke aloud, surprising
her with its casual finality:
“He’d follow after the last lovely face offered”—and added: “The trick
around the eyes and he’d go.”
Public-domain text, read in full here on John Shaqi.
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