Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
A boy was taken to the platform to say a piece, Miss Patty showing him
how, and the other children went to the seats or they spread about on
the floor. “To the tap of the drum here we come come come” had been set
aside now, and a girl said, “I like that song.” “It’s a Faust march,”
Miss Charlotte said. The word “Faust” fitted to Miss Charlotte’s mouth
after it had been said and remained hers entirely, whatever it meant.
The Bells lived a little way up the street past the well from which Luce
drank, past the street-light, the house standing under a great tree and
near two other trees. Looking at Miss Charlotte after she had grown
dark, the music ended, her face heavy, Luce thought of the word Anthony,
Anthony Bell, the old man, father to Horace Bell who was Miss Charlotte’s
husband. Anthony Bell, as words, made a sort of singing in her thought
if they came forward as tone, or if they lay quiet they were reminiscent
of the faint kindness offered by drama, by enriched being. He was an
old man and a scholar, as was said. Luce remembered their house with
Miss Charlotte walking on the lower gallery and saw the planes of her
pale dress as she stood a moment before one of the large square pillars.
Anthony Bell came and went behind her, stepping along the gallery in his
easy slippers, taking a morning walk. Now the voice of the boy tattled
endlessly over the piece he was learning to say and the little girls
lolled together, teasing one another slyly. Luce went into Miss Patty’s
feet as they twinkled about and she felt the flutter of the skirt as it
swept her ankles, and she knew what it was to be two slim little shoes
buckled over two insteps that rested on pointed toes and hour-glass
heels, and to walk in harmony with someone’s thinking, up and down,
objecting, agreeing, complaining, repeating. Near at hand the piano was
a large black box holding an infinity of tunes somehow in its sides.
She looked at Charlotte Bell where she sat waiting. The eyes were dark,
averted, and the mouth had no smile. Her large shoulders were erect and
her rich dress crumpled about her feet.
Public-domain text, read in full here on John Shaqi.
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