Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
Charlotte Bell’s hands could fly easily over the piano if she were minded
to make a tune. Sometimes in the evening old Anthony played his fiddle
standing beside her as she played. Her rich white dress had many yards of
small lace sewed into it in designs and her hat was off. Her dark hair
was laid softly over her head and knotted at the back in a large coil.
Luce looked at her and felt her presence reach past the white dress as if
there were some large thing inside. Then she laid her bare. She tore away
the clothes from around her shoulders and opened her body. She emptied
the heart out of it and flung out the entrails, for she had seen men
butcher a hog. She went searching down through blood and veins, liver and
lights, smelt and kidney. Out came the fat, the guts, the ribs. She was
looking for something. Then on beyond, past the flesh, to the bone, she
was searching. Past the brains, past the skull bone. She flung everything
aside as she took it out and went deeper, eager to find. Past the bones
she came to the skin again, on the other side, and finally to the red
of the yarn carpet, everything rejected, nothing found, nothing left.
Quickly she reassembled Miss Charlotte. She brought back the bone, the
flesh, the organs. She hooked the right arm onto its shoulder and hooked
on the left. She set her head on her shoulders and fitted her back into
her dress. Put together again, Miss Charlotte suggested something within,
hinted of it with her turning mouth and with the slight movement of her
limbs under the pretty dress, gave a brief warning of it in the way the
lace was sewed into the dress and the way the two large pins were placed
to hold up her hair.
All the while the red of the carpet and the smell of the carpet gave
a flavor of Sunday and the catechism. There was a question then, she
thought, for every answer. The little girls were weary of the boy’s
speech and his dull gestures and weary of Miss Patty’s efforts to arouse
his voice to eloquence. Luce looked from one to another, letting her
self enter the arrogance of one, the humility of one, the stupidity of
one. She saw what it would be not to know a rhythm, to march as Esther
marched, on dull feet. The tone of the Sunday questioning pervaded the
place, question and answer, final and done, well said. All that was asked
had a reply, curt and certain. She looked at Miss Charlotte where she sat
behind the piano, her eyes on the keys, and the questions took possession
of the event.
Who made you, Miss Charlotte?
God.
Why did God make Miss Charlotte?
For His own glory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account