Then I for you will paint that picture of Rembrandt
Which pleases me most greatly; and meanwhile Childebrand,
According to his custom soft couched upon my knee,
Lifts up his pretty head and watches anxiously
The movement of my finger, which traces in the air
The outline of the picture to make it clear and fair.
Childebrand came in nicely as a rhyme to Rembrandt; for this fragment
was a sort of confession of faith and romance to a friend, since dead,
who at that time shared all our enthusiasms for Victor Hugo,
Sainte-Beuve, and Alfred de Musset.
We must say of our cats as said Ruy Gomez de Silva to the impatient Don
Carlos, when giving him the names and titles of his ancestors, which
began with “Don Silvius, three times elected Consul of Rome,” “I have
skipped some of the best——,” and so pass on to Madame Theophile, a
reddish cat, with a white breast, pink nose, and blue eyes, who was thus
named because she lived with us in an almost conjugal intimacy, sleeping
on the foot of our bed, or on the arm of our writing chair; following us
in our walks in the garden, assisting at our meals, and not infrequently
intercepting the morsels which we were conveying from our plate to our
mouth.
One day a friend, who was leaving home for a short time, left in our
charge a favorite parrot. The bird, feeling lonely in a strange house,
climbed by the help of his beak to the top of the perch, and sat there
rolling about in a scared way his eyes, which glittered like gilt nails,
and wrinkling over them the white membranes which served for eyelids.
Madame Theophile had never before encountered a parrot, and the novelty
awoke in her mind an evident astonishment. Motionless as an Egyptian cat
embalmed in its network of bandages, she sat regarding the bird with an
air of profound meditation, and putting together all the ideas of
natural history which she had been able to collect during her excursions
on the roofs or in the courtyard and garden. The shadows of her thoughts
flitted across her changeful eyes, and it was not difficult to read the
decision at which she finally arrived: “This is—decidedly it is—a green
chicken!”
This conclusion reached, the cat jumped from the table which she had
chosen as her observatory, and crouched in a corner of the room, her
belly on the floor, her knees bent, her head lowered, her spine
stiffened like that of the black panther in Gérome’s picture as it
glares at the gazelles who are drinking by the lake.
The parrot followed each movement of the cat with a feverish
disquietude. His feathers bristled; he rattled his chain, raised one of
his claws and exercised its talons, while he whetted his beak on the
edge of the feeding cup. Instinct revealed to him that this was an enemy
who was plotting mischief.
[Illustration: AS FOR THE EYES OF THE CAT THEY WERE RIVETED ON THE BIRD
WITH A FASCINATED INTENSITY.]
Public-domain text, read in full here on John Shaqi.
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