Authors, German -- 19th century -- Biography; May, Karl Friedrich, 1842-1912
After Karl May's death, E.A. Schmid obtained the rights to all of
his works. He believed in the myth that Karl May's novels had
been thoroughly rewritten without the author's consent and made
sure that the original versions were no longer published. He then
created what he regarded as "improved" versions of all of Karl
May's works. Especially the disputed novels, originally published
by Münchmeyer, were rewritten rather dramatically; large parts of
the plot were removed and new solutions to certain mysteries were
invented; characters from Karl May's more popular novels were
added; etc. Generations of readers have known Karl May only
through Schmid's adaptations. After Karl May's works had entered
the public domain, a few editions presenting the original texts
have been published, but the vast majority of all books sold in
Germany under the name of Karl May still contains the adaptations
by Schmid et al.
I have read that Karl May was the most frequently translated
German author of all times, but unfortunately this does not apply
to the English language. Though even the Encyclopaedia Britannica
describes him as "one of the world's all-time fiction
best-sellers", he is virtually unknown by most English speaking
readers. The earliest English translation of one of his works
came in 1886, probably in the form of a weekly series of booklets
under the title "Rosita" (a translation of "Das Waldröschen", the
first one of those disputed novels Karl May had written for
H.G. Münchmeyer under a pseudonym). I suppose, these booklets
were just as quickly discarded and forgotten as they were printed.
In 1898, two books entitled "Winnetou, the Apache knight" and "The
Treasure of Nugget Mountain" were published, containing a severely
abridged and altered translation by Marion Ames Taggart of Karl
May's most famous novel "Winnetou". Among other things, the main
character is changed from a German, implicitly a Protestant, into
an American, whom the translator has named Jack Hildreth and who
keeps on emphasising that he was a Catholic. In one place, the
translator has even added a line in which the hero is made to
point out that the religion of the murderer Rattler was not his
own, but that of a non-Catholic, when Winnetou suggests to him
that he had the same religion as the murderer. In the original
book, the hero simply answers "Yes" and then goes on to explain,
as he also does in the translation, that the murderer did not keep
the commandments. These liberties of the translation are
particular serious since Karl May often had to defend himself
against allegations of promoting Catholicism, though being a
Protestant, just because he published many of his stories in a
Catholic magazine. In 1900, the series of translations by M.A.
Taggart was continued with "Jack Hildreth on the Nile", based on
Karl May's "Der Mahdi" a.k.a. "Im Lande des Mahdi". You can find
these three books on the Internet at:
Public-domain text, read in full here on John Shaqi.
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