In 1840 Clément Boulanger set out for Constantinople. For a year and
a half he had been at Toulouse, where he painted the _Procession,_
which is now at Saint Étienne-du-Mont. This work in the provinces had
wearied him: he wanted the open air, change of scene, the stir of life,
in short, instead of a sedentary life, he accepted the suggestion made
him by the traveller Tessier, who was going to make excavations in
Asia-Minor; and, commissioned by the department of Fine Arts to paint a
picture of excavations, Clément, as we have said, set out in 1840. They
reached Magnesia near the Mendere river and began to dig in the ground.
This preliminary work appeared to Clément to be the most exciting,
animated part of the business; he felt that it, at any rate, ought to
be reproduced. He made a sketch in the full heat of the midday sun
and, during his work, got one of those attacks of sunstroke that are
so dangerous in the East. Brain fever ensued: he was far from all aid;
there were only bad Greek doctors near him, of the type that killed
Byron. They hung à hammock inside a mosque and laid the poor invalid in
it. Delirium set in by the third day; on the fifth, he died laughing
and singing, unconscious that he was dying. All the Greek clergy in
Constantinople came to pay respect to the body of the poor traveller,
who had died at twenty-eight years of age, far away from his friends,
his family and his country! Twenty-eight years of age! do you realise?
Compare that age with what he had done! The body was carried away on
the back of a camel.
There, as here, everybody loved him. People of all lands and in every
kind of costume followed the procession. All the French ships in
the roadstead carried their flags at half-mast and their ensigns of
mourning. The whole staff of the embassy came out to meet the body at
the gate of Constantinople, and a procession of over three thousand
persons followed it to the French church. There he lies, sleeping, like
Ophelia, still smiling and singing!
CHAPTER IV
Grandville
Delicate and sarcastic smile, eyes sparkling with intelligence,
a satirical mouth, short figure and large heart and a delightful
tincture of melancholy perceptible everywhere--that is your portrait,
dear Grandville! Come! I begin to have as many friends below ground
as above; come to me! tell me that friendship is stronger than the
grave and I shall not fear to go down to your abode, since, dying, one
rejoins one's dead friends without leaving the living ones.
Public-domain text, read in full here on John Shaqi.
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