You will remember, dear Grandville, when I went to call upon you in
your garret in the rue des Petits-Augustins, a garret from whence I
never came out without carrying away with me some wonderful sketches?
What good long talks we had! What fine perceptions! I did not think
of asking you then where you came from, neither where you were going;
you smiled sadly at life, at the future; you had had some sadness
forced out from the depths of your heart. It was easily explained, you
were a connecting-link between Molière and la Fontaine. That which I
did not think to ask of the artist when he was full of life, energy
and health, I now ask of him when he is dead and laid in the grave.
You have forgotten, you say, dear Grandville? I understand that. But
there is one of your friends, a man of heart and of talent who has not
forgotten: take Charles Blanc, and add to what he has forgotten that
which you yourself can remember. Your life was too uninteresting, you
say? Very well, but the public takes as much interest in the humble
vicar of Wakefield in his village parish as in the brilliant Ralegh at
the court of the proud Elizabeth--You will try to remember? Good!--I
will put it down.
* * * * *
Grandville was born at Nancy. He was the successor, compatriot, one
might almost say the pupil, of Callot. His real name was Gérard; but
his father, a distinguished miniature painter, had renounced his family
name to take the theatrical name of his grandfather, an excellent
comedian who had more than once brought smiles to the lips of the two
exiles, Hanislas and Marie Leczinski, one of whom had been a king
and the other of whom was to become a queen. The grandfather was
called Grandville. This child, who was to create a world of his own,
half animal, half human, who was to explain the scent of flowers by
making the flower the mere external covering of woman, who, by means
of imagery drawn from human life, was to endow the stars with those
beauteous eyes which flash amidst the darkness and with which they are
supposed to gaze upon the earth, this child, I say, was born on 13
September 1802. He was born so weak that it was thought for a moment he
was only born to die, but his mother took him in her arms and hid him
so completely in her heart, that Death, who was looking for him, passed
by and saw him not. But the child saw Death, and that is why he has
since then painted him so accurately.
Public-domain text, read in full here on John Shaqi.
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