Conductors (Music) -- United States -- Biography; Damrosch, Walter, 1862-1950
The orchestra had rehearsed our repertoire with me so thoroughly before
we sailed that but little more was necessary. I gave them three
rehearsals, however, before our first concert, the first two at the
_Salle du Conservatoire_, to shake them together again after their long
voyage, and the last on the afternoon of the concert, May 6, at the
Opera House in order to accustom them to its acoustics. The orchestra
played so superbly at the two first rehearsals that I was jubilant and
proud of them. The ensemble was perfect and each man played as if the
success of the concert depended on him—which it certainly did. But when
we began rehearsing at the Opera House the tone of the orchestra
suddenly seemed so thin and lifeless that I was nearly beside myself
with anxiety. The orchestra was placed on the stage, but the local
management had not seen fit to provide us with any proper scenic setting
or roof, so that the sound of our large and noble orchestra was
completely dissipated in the flies. When I remonstrated, I was told that
they had a roof for the stage but that it was in the storehouse,
situated beyond the fortifications of Paris, and that this was the first
time in many years the Opera House had been used for a concert. They
finally agreed to have at least half a roof up for our concert and to
set a smaller scene, which would contain the sound and throw it into the
audience-room in more compact fashion. After twenty minutes or so of
rehearsing, I threw down my stick and told the men to call it a day. I
went back to my hotel very depressed, as so much depended on the first
impression which our orchestra would make that evening.
The programme was as follows:
1. Overture, “Benvenuto Cellini”............................... Berlioz
2. Symphony No. 3, “Eroica”.................................... Beethoven
3. “Istar,” Variations symphoniques............................ d’Indy
4. “Daphnis et Chloe” (Fragments symphoniques)................. Ravel
The reader will notice that we placed on it two works by living French
composers, both of whom were to be at the concert. The house was
completely sold out, and greeted me in very friendly fashion when I came
on the stage.
Public-domain text, read in full here on John Shaqi.
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