My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
Too much credit can never be given to those great American
institutions, the 5-and-10-cent stores, from which we were able to
obtain at slight cost the necessary snow-goggles, ice-picks, cooking
utensils, etc., which form a part of every expedition. From the same
source we also purchased a sizable number of toys for use in bartering
with the natives. All these lighter elements of our baggage were
rolled in bolts of mosquito netting in the folds of which were packed
fly-swatters (two per man), bottles of citronella, green fishing-veils,
and other objects useful in combating the teeming insect life which
springs into being at the first touch of the Arctic sun.
These, then, were our general stores. Each individual looked after the
equipment necessary for his own department. Sections of the Kawa,
amidship, were allotted in alphabetical order, where, with a narrow
aisle between, were tightly crammed Plock's anthropological charts,
Miskin's map-cardboards, surveying instruments and colored crayons,
Sloff's batteries, Wigmore's alpine ice instruments (including a
horn), Dane's mummy-cases and scarabs, Whinney's camera supplies and
radio-outfit, and Swank's paints and palettes. Frissell's personal
impedimenta was unique and had no bearing whatever upon scientific
research. It consisted of eighteen different fancy-dress costumes,
wrapped up in which were a ukelele and six pogo sticks. At later
intervals he kept producing smaller musical instruments, magic egg-cups
and other entertaining devices which more than once rescued our spirits
from the depths of black despair. Triplett carried, as usual, only his
pouch of extra glass eyes and a small, well-worn, black bag which, to
my certain knowledge, he never opened. I think he felt that it gave
him dignity and was demanded of him, just as baggage is considered
necessary by some punctilious hotel clerks. Whenever we left ship
for more than a day, Triplett insisted on carrying his black bag. He
looked as if he were about either to embalm a body or tune a piano. I
could never quite decide which. One day when he was ill, during the
latter part of our trip, I peeked in the bag. It contained the upper
half of a pair of pajamas and the photograph of a beautiful,--but I
feel that respect for the old fellow's romantic heart, hidden deep
beneath his tough hide, forbids me to say more. Somehow that little
black bag became to me a symbol of its owner, concealing beneath its
alligator-skin rind the elements of some exquisite life-incident!
FOOTNOTES:
[Footnote 3: A quarter-scale model of the re-modeled Kawa has been
presented to the Smithsonian Institute by the Jibboom Club of New
London, Ct. Needless to say all structural and mechanical details are
thoroughly protected.]
[Footnote 4: As guest of King Sisawath II in 1908, I was presented
with the Bkatha or Freedom of the Palace, which was more than I could
possibly use.]
Chapter III
Public-domain text, read in full here on John Shaqi.
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