My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
The days grew steadily longer. We were approaching the long twilight.
On a memorable Tuesday in June we crossed the Arctic Circle. This is
always an exciting event but particularly so for those who experience
it for the first time. Needless to say, we observed the ritual honored
by mariners the world over. This follows closely the ceremony
celebrated in the tropics when "crossing the line," with the variation
that, instead of Neptune coming aboard, the aquatic visitor is the
North King, a snowy potentate who is received with due honor by all the
ship's company, especially the novices, who are forced to bring him
presents and perform tricks at his behest. We hove-to in a narrow inlet
on the Baffin shore known by the romantic name of Petty's Bight, where
we spent a blithe two hours. Triplett played the kingly rôle while I
acted as master of ceremonies. I must admit that this did not tend to
calm the somewhat ruffled feelings of my following but it made a merry
interlude in our routine.
During the long evenings Sausalito, laying aside her busy needle, would
read to us books from her own library, "The Sheik" and the works of
Ethel Dell, Harold Bell Wright and the Johnstons, Sir Harry and Owen.
It was surprising how entertaining these things became to our little
isolated band. Often after a particularly serious page the reader's
sunlike smile would flood the main-deck and the whole company would
burst into peals of laughter; then once more we would sit enthralled.
It must have been her voice. Frissell, alone, absented himself from
these readings and sat apart, lost in the perusal of "If Winter Comes"
which he supposed was a work intended for polar novices.
At this juncture Whinney was having a most annoying time with his radio
outfit upon which I had counted to keep the company amused. The best he
could get was a series of noises which, in themselves, were interesting
but scarcely entertaining. At times the magna-vox or "loud squeaker" as
Frissell called it, would emit dismal cat-calls such as I have often
heard from the upper gallery of theatres.
"That's Arlington!" Whinney would exclaim.
Again the sound would be that of penny-a-pack firecrackers such as one
gives to children.
"Newark is calling us!" Whinney would say seriously. "Wait a minute."
A series of readjustments and Jimmy Valentine motions with the
combination would result in a raucous scraping as if a discouraged
Victrola had cut its throat.
"Pittsburgh!" would be the operator's triumphant comment. "Wait a
minute!"
We waited many a minute and hour, patiently expectant, but nothing
happened. The most trying thing was Whinney's explanation. He would
fix us mournfully with his brown eyes, while at the same time trying to
fix the machine and say solemnly:
Public-domain text, read in full here on John Shaqi.
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