Composers -- France -- Biography; Massenet, Jules, 1842-1912
You may have already guessed that this beautiful girl was the one who
was to become my wife two years later, the ever-attentive, often-worried
companion of my life, the witness of my weaknesses as well as of my
bursts of energy, of my sorrows and my joys. With her I have gone up the
steps of life, already long, but not so steep as those which led to Ara
Coeli, that altar of the skies which recalls to Rome the pure and
cloudless celestial abodes, which have led me along a way sometimes
difficult and where the roses have been gathered in the midst of
thorns. But is not life always so?
In the following spring came the pensionnaires' annual entertainment,
which took place as was customary at Castel Fusano on the Roman
Campagna, a couple of miles from Ostia in a magnificent pine forest
divided by an avenue of beautiful evergreen oaks. I brought away with me
such an agreeable remembrance of the day that I advised my fiancée and
her family to make the acquaintance of this incomparable spot.
In that splendid avenue paved with old marble slabs I recalled Gaston
Boissier's story, in his "Promenades Archelogiques," of Nisus and
Euraylus, those unfortunate young men who were sent to their downfall by
Volscens, as he came from Laurentium, to bring part of his troops to
Turnus.
The thought that in December my two years' stay would be up and that I
would have to leave the Villa Medici and return to France made me
extremely sad. I wanted to see Venice again. I stayed there two months
and during the time I jotted down the rough sketch of my first _Suite
d'Orchestra_.
I noted the strange and beautiful notes of the Austrian trumpets which
sounded every evening as they closed the gates for the night. And I used
them twenty-five years later in the fourth act of _Le Cid_.
My comrades bade me good-by on December seventeenth, not only at the
last sad dinner at our large table, but also at the station in the
evening. I had given over the day to packing, gazing meditatively the
while at the bed in which I should never sleep again.
All the souvenirs of my two years in Rome--palms from Palm Sunday, a
drum from the Transtévère, my mandolin, a wooden Virgin, a few sprays
and branches from the Villa's garden, all my souvenirs of a past which
would be with me always, went into my trunk with my clothes. The French
Embassy paid the carriage.
I was unwilling to leave my window until the setting sun had disappeared
behind St. Peter's. It seemed as if Rome in its turn took refuge in
shadow--a shadow which bade me farewell.
CHAPTER VII
MY RETURN TO PARIS
Public-domain text, read in full here on John Shaqi.
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