Authors, Bengali -- 20th century -- Biography; Tagore, Rabindranath, 1861-1941
When I came back home I sung the Irish melodies I had learnt to my
people. "What is the matter with Rabi's voice?" they exclaimed. "How
funny and foreign it sounds!" They even felt my speaking voice had
changed its tone.
From this mixed cultivation of foreign and native melody was born the
_Valmiki Pratibha_.[45] The tunes in this musical drama are mostly
Indian, but they have been dragged out of their classic dignity; that
which soared in the sky was taught to run on the earth. Those who have
seen and heard it performed will, I trust, bear witness that the
harnessing of Indian melodic modes to the service of the drama has
proved neither derogatory nor futile. This conjunction is the only
special feature of _Valmiki Pratibha_. The pleasing task of loosening
the chains of melodic forms and making them adaptable to a variety of
treatment completely engrossed me.
Several of the songs of _Valmiki Pratibha_ were set to tunes originally
severely classic in mode; some of the tunes were composed by my brother
Jyotirindra; a few were adapted from European sources. The _Telena_[46]
style of Indian modes specially lends itself to dramatic purposes and
has been frequently utilized in this work. Two English tunes served for
the drinking songs of the robber band, and an Irish melody for the
lament of the wood nymphs.
_Valmiki Pratibha_ is not a composition which will bear being read. Its
significance is lost if it is not heard sung and seen acted. It is not
what Europeans call an Opera, but a little drama set to music. That is
to say, it is not primarily a musical composition. Very few of the songs
are important or attractive by themselves; they all serve merely as the
musical text of the play.
Before I went to England we occasionally used to have gatherings of
literary men in our house, at which music, recitations and light
refreshments were served up. After my return one more such gathering
was held, which happened to be the last. It was for an entertainment in
this connection that the _Valmiki Pratibha_ was composed. I played
_Valmiki_ and my niece, Pratibha, took the part of _Saraswati_--which
bit of history remains recorded in the name.
Public-domain text, read in full here on John Shaqi.
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