Authors, English -- 20th century -- Biography; Waugh, Alec, 1898-1981
That is why the choice of the right restaurant is so important. If we
are in the mood for conversation there is our club or the Café Royal; if
we are alone and it would amuse us to watch other people dance, or
should we wish to add as a flavouring to the music and the dancing the
note ever so slightly struck of fugitive romances, there is the balcony
of the Elysée Café. Perhaps we feel sentimental, and at a certain table
in a certain restaurant, to the accompaniment of “Tango Dream” or of
some other tune of yesteryear that we have specially asked the
orchestra to play, we recall a phase of life that is concluded, and
quote with appropriate melancholy, Ah me, ah me, with what another heart
...! And there are again times when we ask simply for a quiet meal in
our own company.
It may have been good fortune, or it may have been through trained
instinct, that we discovered on our first day in Christiania the Theatre
Café: the restaurant was on the first floor, and there was a band on the
balcony above the café on the floor below; so that the music rose softly
and mysteriously through the floor, making it easy for us to weave
stories round the various couples of the other tables.
That middle-aged man and the young girl at the table by the window, were
they father and daughter; or were we attending the first scene, the
prelude, of some grey seduction? That young couple two tables from us,
they were not noticing what they ate. They hardly spoke a word to one
another; but their eyes kept meeting: and as they met, they smiled. She
was not wearing an engagement ring and we wondered whether he would
propose to her that afternoon, or whether he had already proposed to her
as they had driven there that morning in a taxi. Were they sitting now
shy and happy in the memory of their first kisses? We wondered if they
would make a success of life together. They were very young, we thought.
Would she still be pretty in ten years’ time? Would that fragile charm
of hers survive in womanhood? And we decided that it depended largely on
the life that awaited her, that hers was not a prettiness to sustain
long hours of toil and housework; and we hoped in that atmosphere of
unseen music that fortune would be kind to her, that her man would
invest their money wisely and present her with a large house and many
servants.
Public-domain text, read in full here on John Shaqi.
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