Authors, English -- 20th century -- Biography; Waugh, Alec, 1898-1981
We went a couple of times, on the invitation of the management, to the
National Theatre, once to a modern piece--a Galsworthy sort of play--the
other time to a costume drama--_Madame Legros_, by Heinrich Mann. We
were not, either of us, I think, able to follow the plots at all
closely; but as a compensation we were able to study more carefully
those little mannerisms of dress and acting that are obscured by the
quick action of the play; that the Norwegian dandy, for example, does
not hitch up his trousers on sitting down. And we were able to
concentrate our attention, more than we should otherwise, on the stage
effects, the lighting, the technique, the carpentry of the business.
But it was, I think, as a picture that the theatre there appealed
chiefly to us. The theatre in a small town tends to become, as it can
never hope to become in London, a social and intellectual centre. One
seemed there to be in touch with the life of Christiania. And it was
pleasant to stroll between the acts down the long promenade behind the
stalls, to watch the various groups greet and mingle and separate; to
walk up the wide-columned staircase and turn into the large
reception-rooms, with their gilt chairs and the inevitable bar for
snacks; the gruyère and ham sandwiches, and the Hansa Ol; and it was
pleasant to walk out into the cool air of the balcony and look out over
the city as it lay below us in light and shadow. In the immediate
foreground the stern statues of Ibsen and Björnson; the trees, the
gardens and the bandstand; beyond, the turreted house of parliament; and
on either side running parallel the bright thoroughfares of the Carl
Johansgate and the Storthingsgarten with their trams and restaurants and
throng of people.
A pretty picture, but one that might at such an hour wake sadly in the
heart of the young Norwegian a sense of life hasting from him. His whole
life would seem to be enclosed by the bright boundaries of those
streets, going no farther than the eye could see. A nation, he would
say, of three million people, a capital of two streets and a few
restaurants, and he would think regretfully of the scope and freedom of
other countries and other cities--London, America, New York.
Public-domain text, read in full here on John Shaqi.
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