Transcriber's note
Variable, archaic or unusual spelling and punctuation have been retained
apart from minor punctuation inconsistencies which have been silently
corrected. A list of other changes made can be found at the end of the
book. Line numbers and sidenotes are placed within [square brackets].
For this text version, text in superscript is placed within curly
brackets preceded by a carat character like ^{this}. Diacritical marks
that cannot be represented in plain text are shown in the following
manner:
[=a] a with macron
Ligature [oe] is encoded as oe.
Mark up: _italics_
The Tudor Library.
NARCISSUS, A TWELFE NIGHT MERRIMENT.
_Five hundred copies of this Edition are printed._
A TWELFE NIGHT MERRIMENT.
ANNO 1602.
NARCISSUS
A TWELFE NIGHT MERRIMENT
PLAYED BY YOUTHS OF THE PARISH
AT
THE COLLEGE OF S. JOHN THE BAPTIST IN OXFORD, A.D. 1602
WITH APPENDIX
[Illustration]
NOW FIRST EDITED FROM A BODLEIAN MS.
BY
MARGARET L. LEE
OF S. HUGH'S HALL, OXFORD
[Illustration]
LONDON
PUBLISHED BY DAVID NUTT IN THE STRAND
MDCCCXCIII
CHISWICK PRESS:--C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE,
LONDON.
INTERLOQUUTORES.
1. TYRESIAS.
2. CEPHISUS.
3. NARCISSUS.
4. DORASTUS.
5. CLINIAS.
6. ECCHO.
7. LYRIOPE.
8. FLORIDA.
9. CLOIS.
10. THE WELL.
11. PORTER.
PREFACE.
IN editing the hitherto unpublished play of _Narcissus_, together with
the three speeches and the letter composed for Francis Clarke, porter of
S. John's, I have retained throughout the very irregular spelling of the
MS. The punctuation and use of capital letters have, however, been
modernized, the contractions employed for _the_, _which_, _with_,
_what_, and certain prefixes, expanded, and a few obviously scribal
errors corrected in the text, the notes supplying in every such case the
original MS. reading.
In bringing to its conclusion a work which now seems even less
satisfactorily performed than I once hoped it might be, there is at
least a pleasure in recording thanks to all those who have interested
themselves on my behalf, and aided me with suggestions and criticisms,
or--as in the case of the editors of the _N. E. D._--with valuable
references. Indeed, were it not for the direct and indirect help of
friends--and amongst those who have given me the former I must make
special and grateful mention of Professor Ker, Professor Napier, and Mr.
Madan--_Narcissus_ would have been left to find a worthier editor.
26, WARRINGTON CRESCENT,
MAIDA HILL.
INTRODUCTION.
SECTION I. NARCISSUS.
THIS play, which for want of a ready-made title I have called
_Narcissus_, dates from a period of peculiar interest in the history of
that class of dramatic composition to which it belongs.
Public-domain text, read in full here on John Shaqi.
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