Narrative of the residence of Fatalla Sayeghir among the wandering Arabs of the great desertLamartine, Alphonse de
History
Narrative of the residence of Fatalla Sayeghir among the wandering Arabs of the great desert
Lamartine, Alphonse de
Arabian Peninsula -- Description and travel
“What a pity,” said I to M. Mazolier, “that we should have lost the
result of so many years’ labour and patience!” “There is something yet
remaining,” said he; “I was attached at Latakia, my country, to a young
Arab, who accompanied M. de Lascaris during all his travels. After his
death, being without resources, and deprived even of the arrears of his
small salary, which M. de Lascaris had promised him, he returned poor
and plundered to his mother. He is now living in some small employ with
a merchant of Latakia. I knew him there, and he has often spoken to me
of a series of notes that he wrote at the instigation of his patron
in the course of their wandering life.” “Do you think,” said I to M.
Mazolier, “the young man would consent to sell them?” “I should think
so,” he replied; “and the more so, as he has often expressed his desire
to present them to the French government. But nothing is so easy as to
know this; I will write to Fatalla Sayeghir, which is the name of the
young Arab. Ibrahim Pacha’s Tartar will deliver him my letter, and we
shall have an answer on his return to Said.” “I commission you,” said
I, “to negotiate the affair, and to offer him two thousand piastres for
his manuscript.”
Some months elapsed before the answer of Fatalla Sayeghir reached me.
Returning to Byrauth, I sent my interpreter to negotiate directly for
the MS. at Latakia. The terms were accepted, the sum was paid, and the
Arabic MS. brought me by M. Mazolier. In the course of the winter, I
got them translated with infinite difficulty into the Frank language,
and thence translated them into French myself; the public are thus
enabled to enjoy the fruits of a ten years’ journeying, which no other
traveller has hitherto effected. The extreme difficulty of this triple
translation must be an excuse for the style of the notes. The style
indeed is of little importance in such works; facts and manners are
everything. I am fully satisfied that the first translator has altered
nothing; he has only suppressed some tedious details consisting of idle
repetitions which availed nothing.
Public-domain text, read in full here on John Shaqi.
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