Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. IEvliya Çelebi
History
Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. I
Evliya Çelebi
Caucasus, South -- Description and travel; Istanbul (Turkey) -- Description and travel; Turkey -- History
The ascent to it is by a flight of stone steps on the right and left;
and its height from the ground to the roof is 87 builders cubits, four
cubits being the height from the ground, of the platform on which it
stands. It has a large cupola in the centre, and semi-cupolas over
the Mihráb. The Mihráb, Mimber, and Mahfils, for the Muëzzins and the
Emperor, are of white marble and of ancient workmanship. The cupola
has two rows of galleries adorned with lamps. On the left side of the
Mihráb stands an ancient banner in long strips, made of Alí’s doublet
(jubbeh). There is nothing suspended in this mosque except lamps; but
it possesses great spiritual advantages, and prayers offered up in it
are sure to be answered, because the workmen employed in building it
were all Musulmáns; and to this day neither Jews nor Christians are
allowed to enter its blessed doors. Its spirituality was secured by
the workmen, who never began their work till they had performed their
ablutions, and it was built from the wealth obtained in the Conquest.
On issuing from its southern (kiblah) gate, there is seen on the right
hand, a square white marble column, on which the following traditional
saying of the Prophet is inscribed in blue and gold and in large
Jellí characters, by Demirjí Kúlí:—“Verily, Kostantaniyyeh shall be
conquered! How excellent a commander is that commander! How excellent a
host is that host!” It is approached on the southern side, also, by two
stone staircases on the right and left; and on the four sides of its
court (harem) there are stone benches (soffahs) and variegated columns,
the sculptures on which astonish the beholder. On a needle-like pillar,
within the southern gate of the court, there is a figure representing a
Mevleví Dervísh, with his cap and fan (mirvahah). In the centre of this
court there is a large basin, covered by a leaden cupola, supported by
eight columns. Round this basin there are verdant cypresses towering
to the sky like minárehs, and each appearing like a green angel. On
the right and left of the mosque there are lofty minárehs, with a
single gallery. The cloisters round the court are covered with leaden
cupolas, and the floor is paved with variegated marble. On the outside
border of the windows of the court the Súrah Fátihah (1st chap. of the
Korán) is inscribed in white marble letters on a green ground, in the
character invented by Yákút Mosta’simí, which is not equalled by any
thing of the kind in all Islámból. The architect, to shew his skill
in the construction of this basin in the centre of the court, placed
over it a brazen cage like a net, which is also itself a masterpiece.
The water rushing out, day and night, from the pipes of this basin,
affords abundantly wherewith to quench the thirst of the devout, and
enable them to perform their ablutions. The great cupola of the mosque
seems also to hang without support, like the vault of heaven. Before
the Mihráb is the monument of Mohammed the Conqueror and his family.
Public-domain text, read in full here on John Shaqi.
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