Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travelLocke, David Ross
Philosophy
Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travel
Locke, David Ross
Europe -- Description and travel
But the hansom is the peculiar vehicle. The four-wheeler is a sort of a
sober-going cab, the one you would expect the mother of a family or a
respectable widow lady to use. The driver sits in front, as a driver
should, and the entire concern is closed except as you may desire to
have air by letting down eminently respectable windows in the side. But
the hansom is quite another thing. The occupant is in a low seat, while
his driver sits above him on a perch and the reins go over the
occupant's head. Next to swindling his customer out of a sixpence on his
fare, the chief ambition of the driver of a hansom is to run down a foot
passenger, and in this ambition his horse shares fully, if he does not
exceed him. The horses used in these piratical vehicles are generally
broken-down hunters, who, too slow to longer hunt the wily fox, and
harnessed in the ignoble hansom, have transferred their hunting
instincts to men. When the "jarvey," as he is called here, fixes his
eagle eye upon a citizen whom he proposes to run down, the horse knows
it as if by instinct, and they come charging down upon him at a pace
something as did the French cuirassiers at Waterloo. And if the intended
victim escapes, the driver gnashes his teeth in rage, and the
sympathizing horse drops his head and moves on a walk till the sight of
another countryman or stranger rouses his ambition. It is said that when
a driver succeeds in running down a foot passenger the injured man is
the one who is arrested.
The shops of London are of two kinds--the gorgeous modern and the
respectable ancient. The modern are of the most gorgeous kind. They are
not as in New York, immense show windows with a door between; but there
is an immense show window in the middle, with a small passage on the
side. When a London tradesman wants a show window he wants it all show.
It is very like the piety of some men I know. He doesn't care how small
the opening is to get into the place, for he knows if he attracts a
customer by the display of his goods in the window, he, the said
customer, will manage somehow to get inside. The point is to corral the
customer. Once in, his bones can be picked at leisure.
The modern shops are as gorgeously fitted up inside as out. They have
silver plated rails, magnificently decorated counters and show-cases,
even more than the New York stores have.
Then there are the eminently respectable shops which despise these
gorgeous ones about the same as an old noble, descended from one of the
first robbers, looks down upon a Knight of day before yesterday. These
are the shops that have over their doors "Established in 1692." They
would no more put in a plate glass window than they would forge a note.
They revel in their dustiness, and are proud of their darkness and
inconvenience. They wouldn't sweep out the premises if they could help
it, and the very cob-webs are sacred as being so many silent witnesses
to the antiquity of the house.
Public-domain text, read in full here on John Shaqi.
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