Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
After passing the usual greetings one would take a stroll uptown as far
as Thirty-fourth Street. That was as high as the afternoon professional
pedestrian cared to ramble. If one were as favored as I was in those
happy days one would be sure to be greeted by such beautiful and
attractive women as Lillian Grubb, Marie Jansen, Kate Forsythe, Pauline
Hall, Josie Hall and dainty Mollie Fuller, her chum, the Hanley
sisters, the attractive Lillian Russell (almost as beautiful and
radiant as now!), Marie Tempest, clever Minnie Maddern, the daughter of
Tom Davey, now the talented Mrs. Fiske, the haughty Rose Eytinge, Ada
Dyas and the regal Ada Rehan.
The brain grows giddy as my fancy wanders back to those beautiful
autumnal days of twenty odd years ago when all was chaotic and
congested, but nevertheless a delightful pot pourri of brilliancy,
genius, talent and beauty. Some, in fact a majority, have passed
away, but to those who were privileged to enjoy the happy association
of those clever men and women a memory remains that will only be
obliterated when the bell that summoned King Duncan to his doom tells
us that the time has come for us to join those gone before.
Shall we join them?
I wonder!
Life is a bridge of sighs, over which memory glides into a torrent of
tears.
It was somewhere in the early eighties that I first heard of the
existence of the Lambs Club, situated at that time somewhere near Union
Square and suggested to me as a good one to join by Harry Becket,
then the leading comedian of Wallack's Theatre. It was during those
busy times when all of us were compelled to travel for the season of
the then thirty-two weeks that we looked forward with greatest joy to
meeting our pals on the glorious Rialto. It was bounded by Broadway and
Fourth Avenue, Fourteenth and Seventeenth Streets with the attractive
Union Square Park forming the center of rest. It was our busy
playground after our toils of the road.
[Illustration: LOTTA
_In the days when work was play_]
Public-domain text, read in full here on John Shaqi.
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