Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
I always put up at the Union Square Hotel where, after a hurried bath
and shave, I would rush down to the street below to be welcomed by my
many friends. Ah! What times they were! I brush away a tear as the
happy memories come upon my vision. I see the tall, commanding figure
of Charlie Thorne come briskly across the pavement, switching his
well-shaped limbs with a tiny cane as he rushes over with outstretched
hands to bid me welcome and congratulate me upon my season's efforts.
A slap on the back from clever Louis Harrison and an embrace--yes,
even in the open!--from his talented sister Alice; a yell from dear
old Matt Snyder, many times a member of my various organizations, a
grunt of welcome from the stoic, Sheridan Shook and an acknowledgment
from the dignified Lawrence Barrett; a benign smile from Edwin Booth,
salutations from the various members of my company, now disbanded, but
only for a time! We generally kept our organizations intact for many
seasons in those happy, golden yesterdays.
Often the ladies of our profession would wander downtown to meet their
brothers and here and there one would come across a group of men and
women in converse under the shady trees, comparing notes and making
their arrangements for the following year. Dainty Kate Claxton, then
the heroine of "The Two Orphans," would be seen in earnest conversation
with A. M. Palmer in front of the Union Square Theatre. Maggie Mitchell
would briskly acknowledge the respectful doffing of hats as she tripped
across from the Morton House with sprightly Lotta as her one bright
particular companion of that morning. Midway between the Morton House
and the Union Square the fascinating Joe Emmett would chirp merrily on
his way and hold those ladies enthralled until some other came along to
interrupt their entertaining conversation.
In those days, no arbitrary booking organization held sway; no peeping
Izzies or Sols had access to our books; we were all on our own, masters
of our own enterprises. Like the brokers on the curb we arranged our
bookings on the street. Hither and hither we flew, now procuring a week
in Pittsburgh or a night in Dayton, crossing and recrossing from the
Morton House to Union Square, corralling a manager for a two weeks'
tour in the sunny South or four in the unattractive middle West, ever
and anon stopping on our way to engage the services of some particular
actor we desired for the new play. We made railroad rates with hustling
agents, always on the lookout to do business with professionals. There
was no Interstate Commerce law in force at that time!
We made contracts with printers and appointments with authors
simultaneously!
Public-domain text, read in full here on John Shaqi.
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