Nathan the Wise; a dramatic poem in five actsLessing, Gotthold Ephraim
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Nathan the Wise; a dramatic poem in five acts
Lessing, Gotthold Ephraim
German drama -- Translations into English
Indeed—no more? O then forgive—
NATHAN.
’Tis well.
Do but come with me.
TEMPLAR.
Whither? To thy house?
No? there not—there not: ’tis a burning soil.
Here I await thee, go. Am I again
To see her, I shall see her times enough:
If not I have already gazed too much.
NATHAN.
I’ll try to be soon back.
[_Goes_.
TEMPLAR.
Too much indeed—
Strange that the human brain, so infinite
Of comprehension, yet at times will fill
Quite full, and all at once, of a mere trifle—
No matter what it teems with. Patience! Patience!
The soul soon calms again, th’ upboiling stuff
Makes itself room and brings back light and order.
Is this then the first time I love? Or was
What by that name I knew before, not love—
And this, this love alone that now I feel?
DAYA _and_ TEMPLAR.
DAYA.
Sir knight, sir knight.
TEMPLAR.
Who calls? ha, Daya, you?
DAYA.
I managed to slip by him. No, come here
(He’ll see us where you stand) behind this tree.
TEMPLAR.
Why so mysterious? What’s the matter, Daya?
DAYA.
Yes, ’tis a secret that has brought me to you
A twofold secret. One I only know,
The other only you. Let’s interchange,
Intrust yours first to me, then I’ll tell mine.
TEMPLAR.
With pleasure when I’m able to discover
What you call me. But that yours will explain.
Begin—
DAYA.
That is not fair, yours first, sir knight;
For be assured my secret serves you not
Unless I have yours first. If I sift it out
You’ll not have trusted me, and then my secret
Is still my own, and yours lost all for nothing.
But, knight, how can you men so fondly fancy
You ever hide such secrets from us women.
TEMPLAR.
Secrets we often are unconscious of.
DAYA.
May be—So then I must at last be friendly,
And break it to you. Tell me now, whence came it
That all at once you started up abruptly
And in the twinkling of an eye were fled?
That you left us without one civil speech!
That you return no more with Nathan to us—
Has Recha then made such a slight impression,
Or made so deep a one? I penetrate you.
Think you that on a limed twig the poor bird
Can flutter cheerfully, or hop at ease
With its wing pinioned? Come, come, in one word
Acknowledge to me plainly that you love her,
Love her to madness, and I’ll tell you what.
TEMPLAR.
Public-domain text, read in full here on John Shaqi.
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