American fiction -- 19th century; Short stories, American
In the morning, he rises earlier than usual, and sets himself to
consider what he really means to do. Such are his loose and rambling
modes of thought, that he has taken this very singular step, with the
consciousness of a purpose, indeed, but without being able to define it
sufficiently for his own contemplation. The vagueness of the project,
and the convulsive effort with which he plunges into the execution of
it, are equally characteristic of a feeble-minded man. Wakefield sifts
his ideas, however, as minutely as he may, and finds himself curious to
know the progress of matters at home,--how his exemplary wife will
endure her widowhood of a week; and, briefly, how the little sphere of
creatures and circumstances, in which he was a central object, will be
affected by his removal. A morbid vanity, therefore, lies nearest the
bottom of the affair. But, how is he to attain his ends? Not, certainly,
by keeping close in this comfortable lodging, where, though he slept and
awoke in the next street to his home, he is as effectually abroad, as if
the stage-coach had been whirling him away all night. Yet, should he
reappear, the whole project is knocked in the head. His poor brains
being hopelessly puzzled with this dilemma, he at length ventures out,
partly resolving to cross the head of the street, and send one hasty
glance towards his forsaken domicile. Habit--for he is a man of
habits--takes him by the hand, and guides him, wholly unaware, to his
own door, where, just at the critical moment, he is aroused by the
scraping of his foot upon the step. Wakefield! whither are you going?
Public-domain text, read in full here on John Shaqi.
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