American fiction -- 19th century; Short stories, American
At that instant, his fate was turning on the pivot. Little dreaming of
the doom to which his first backward step devotes him, he hurries away,
breathless with agitation hitherto unfelt, and hardly dares turn his
head, at the distant corner. Can it be that nobody caught sight of him?
Will not the whole household--the decent Mrs. Wakefield, the smart
maid-servant, and the dirty little footboy--raise a hue and cry, through
London streets, in pursuit of their fugitive lord and master? Wonderful
escape! He gathers courage to pause and look homeward, but is perplexed
with a sense of change about the familiar edifice, such as affects us
all, when after a separation of months or years, we again see some hill
or lake, or work of art, with which we were friends of old. In ordinary
cases, this indescribable impression is caused by the comparison and
contrast between our imperfect reminiscences and the reality. In
Wakefield, the magic of a single night has wrought a similar
transformation, because, in that brief period, a great moral change has
been effected. But this is a secret from himself. Before leaving the
spot, he catches a far and momentary glimpse of his wife, passing
athwart the front window, with her face turned towards the head of the
street. The crafty nincompoop takes to his heels, scared with the idea,
that, among a thousand such atoms of mortality, her eye must have
detected him. Right glad is his heart, though his brain be somewhat
dizzy, when he finds himself by the coal-fire of his lodgings.
Public-domain text, read in full here on John Shaqi.
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