American fiction -- 19th century; Short stories, American
Now for a scene! Amid the throng of a London street, we distinguish a
man, now waxing elderly, with few characteristics to attract careless
observers, yet bearing, in his whole aspect, the handwriting of no
common fate, for such as have the skill to read it. He is meagre; his
low and narrow forehead is deeply wrinkled; his eyes, small and
lustreless, sometimes wander apprehensively about him, but oftener seem
to look inward. He bends his head, and moves with an indescribable
obliquity of gait, as if unwilling to display his full front to the
world. Watch him, long enough to see what we have described, and you
will allow, that circumstances--which often produce remarkable men from
nature's ordinary handiwork--have produced one such here. Next, leaving
him to sidle along the footwalk, cast your eyes in the opposite
direction, where a portly female, considerably in the wane of life, with
a prayer-book in her hand, is proceeding to yonder church. She has the
placid mien of settled widowhood. Her regrets have either died away, or
have become so essential to her heart, that they would be poorly
exchanged for joy. Just as the lean man and well-conditioned woman are
passing, a slight obstruction occurs, and brings these two figures
directly in contact. Their hands touch; the pressure of the crowd forces
her bosom against his shoulder; they stand, face to face, staring into
each other's eyes. After a ten years' separation, thus Wakefield meets
his wife!
The throng eddies away, and carries them asunder. The sober widow,
resuming her former pace, proceeds to church, but pauses in the portal,
and throws a perplexed glance along the street. She passes in, however,
opening her prayer-book as she goes. And the man! with so wild a face,
that busy and selfish London stands to gaze after him, he hurries to his
lodgings, bolts the door, and throws himself upon the bed. The latent
feelings of years break out; his feeble mind acquires a brief energy
from their strength; all the miserable strangeness of his life is
revealed to him at a glance: and he cries out, passionately, "Wakefield!
Wakefield! you are mad!"
Public-domain text, read in full here on John Shaqi.
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