Such was his devotion to art. But let no man suppose that the images which his spirit worshipped were mere transcripts of external grace, or that this profound soul was taken or holden in the chains of superficial beauty. To him, of all men, it was transparent. Through it he beheld the eternal spiritual beauty which ever clothes itself with grand and graceful outlines, as its appropriate form. He called eternal grace “the frail and weary weed, in which God dresses the soul which he has called into Time.” “As from the fire, heat cannot be divided, no more can beauty from the eternal.” He was conscious in his efforts of higher aims than to address the eye. He sought, through the eye, to reach the soul. Therefore, as, in the first place, he sought to approach the Beautiful by the study of the True, so he failed not to make the next step of progress, and to seek Beauty in its highest form, that of Goodness. The sublimity of his art is in his life. He did not only build a divine temple, and paint and carve saints and prophets. He lived out the same inspiration. There is no spot upon his fame. The fire and sanctity of his pencil breathe in his words. When he was informed that Paul IV. desired he should paint again the side of the chapel where the Last Judgment was painted, because of the indecorous nudity of the figures, he replied, “Tell the Pope that this is easily done. Let him reform the world and he will find the pictures will reform themselves.” He saw clearly that if the corrupt and vulgar eyes, that could see nothing but indecorum in his terrific prophets and angels, could be purified as his own were pure, they would only find occasion for devotion in the same figures. As he refused to undo his work, Daniel di Volterra was employed to clothe the figures; hence ludicrously called _Il Braghettone_. When the Pope suggested to him that the chapel would be enriched if the figures were ornamented with gold, Michael Angelo replied, “In those days, gold was not worn; and the characters I have painted were neither rich nor desirous of wealth, but holy men, with whom gold was an object of contempt.”