'Neath the Hoof of the Tartar; Or, The Scourge of GodJósika, Miklós, báró
History
'Neath the Hoof of the Tartar; Or, The Scourge of God
Jósika, Miklós, báró
Hungary -- History -- Mongol Invasion, 1241-1242 -- Fiction
Two years after the publication of "Abafi," he was elected a member of
the Hungarian Academy, four years later he became the President of the
Kisfaludy Társaság, the leading Magyar literary society. All classes,
without exception, were attracted and delighted by the books of this
new novelist, which followed one another with bewildering rapidity.
"Zolyomi," written two years before "Abafi," was published a few months
later, together with "Könnyelmüek." Shortly afterwards came the two
great books which are generally regarded as his masterpieces, "Az utolsó
Bátory" and "Csehek Magyarországon," and a delightful volume of fairy
tales, "Élet és tündérhón," in three volumes. In 1843 was published
"Zrinyi a Költö," in which some critics saw a declension, but which
Jókai regards as by far the greatest of Jósika's historical romances.
Finally may be mentioned as also belonging to the pre-revolutionary
period, "Jósika István," an historical romance in five volumes, largely
based upon the family archives; "Egy kétemeletes ház," a social romance
in six volumes; and "Ifju Békesi Ferencz kalandjai," a very close and
most clever imitation of the "Pickwick Papers," both in style and
matter, written under the pseudonym of Moric Alt. It is a clever skit of
the peccadilloes and absurdities of the good folks of Budapest of all
classes, full of genuine humour, and was welcomed with enthusiasm.
On the outbreak of the War of Independence in 1848, Baron Jósika
magnanimously took the popular side, though he was now an elderly man,
and had much to lose and little to gain from the Revolution. He was
elected a member of the Honvéd Government; countenanced all its acts;
followed it from place to place till the final collapse, and then fled
to Poland. Ultimately he settled at Brussels, where for the next twelve
years he lived entirely by his pen, for his estates were confiscated,
and he himself was condemned to death by the triumphant and vindictive
Austrian Government, which had to be satisfied, however, with burning
him in effigy.
Public-domain text, read in full here on John Shaqi.
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