Negroes and Negro "Slavery:" the first an inferior race: the latter its normal condition.Van Evrie, John H.
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Negroes and Negro "Slavery:" the first an inferior race: the latter its normal condition.
Van Evrie, John H.
African Americans; Slavery -- Justification; Slavery -- United States
materialism which would make the faculties and even our moral emotions
the mere result of organism. But there is an inseparable connection
which necessarily renders them the exact admeasurement of each other,
and though neither cause nor result, and their ultimate relation
eternally hidden from the finite mind, they are, in this existence at
least, inextricably bound up together. The approximation, therefore, of
the negro to the ourang-outang, while there is a boundless space within
the circle of which there can be no resemblance—for the negro is
absolutely and entirely human—and within which it is not proposed to
enter, is exactly revealed in the outward form and attitude. The negro,
from the structure of his limbs, his head, etc., has a decided
inclination to the quadruped posture, while the ourang-outang has an
equal tendency to the upright human form. The latter often walks
partially erect, and sometimes even carries a club, while the typical
negro in Africa or Cuba, or anywhere in his natural state, is quite as
likely to squat on his hams as to stand on his feet. Thus, an anatomist
with the negro and ourang-outang before him, after a careful comparison,
would say, perhaps, that nature herself had been puzzled where to place
them, and had finally compromised the matter by giving them an exactly
equal inclination to the form and attitude of each other.
CHAPTER VII.
THE HAIR.
Next to color, there is nothing so palpable to the sense as the hair, or
nothing that reveals the specific difference of race so unmistakably as
the natural covering of the head. The hair of the Caucasian is a
graceful and imposing feature or quality, of course in perfect harmony
with everything else, but sometimes, and especially in the case of
females, it is an attribute of physical beauty more striking and
attractive than any other. Its color, golden or sunny brown, and the
dazzling hues of black, purple, and auburn tresses, has been the theme
of poets from time immemorial, while its luxuriance, and silky softness,
and graceful length will continue to be the pride of one sex and the
admiration of the other as long as the perception of beauty remains.
Public-domain text, read in full here on John Shaqi.
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