And so the days dragged on. I kept a corner of my south window rubbed
clear of frost so that I might maintain a look-out for a visit from
Spoof, for although he was my rival, or because he was my rival, I felt
that I had with Spoof something very much in common. But Spoof seemed
suddenly to have discontinued his visits to Fourteen and Twenty-two,
and for the first time in that winter the trail to his shack was
entirely over-blown and obliterated in a waste of snow.
Jack came over every day, and Marjorie and Jean came two or three times
a week and gave my shack the womanly touches of which it was beginning
to stand in need, but Jean never came alone. I began to understand that
the prairies give solitude without privacy; if one seeks privacy he goes
to the city for it.
In this way a couple of weeks had passed when one evening it occurred to
me that I could kill a dull hour or two, and discharge a somewhat
neglected filial duty, by writing a letter to my father. Investigation
proved, what I greatly suspected, that I had no writing paper, so I went
over to Jack's to borrow some. They had none either, but Jack produced
an old account book with some blank sheets in it, which we decided would
do quite well. In those days we weren't particular about stationery.
Jean was in her room while I was there, and did not come out, so in a
few minutes I returned to Fourteen. There I set the lamp on the table
and spread the old account book out before me. It once had been owned by
Jack's father; the first pages were filled with items which apparently
had to do with the purchase of the Lane farm, and with Mr. Lane's
services in the woolen mill. I glanced over them with casual interest
and as I did so a loose slip fell from the pages. I picked it up from
the floor and found a number of lines in Jean's handwriting:
When through the livelong day I sigh
And ponder on my sad estate,
I would my Nemesis defy
And burst the bounding cords of Fate.
Now would I tear each bond away;
Now would I risk your sad reproof;
Come, let us live and love who may:
Come to me . . . Spoof.
"So it has come to that," I said to myself. "Love-sick doggerel!" I
crushed the sheet of paper in my hand in a rage, even while a hot flush
of color ran up my face at the realization of the fact that I had read
something never intended for my eyes--for _my_ eyes least of all. So she
could tear the bonds away; she could risk his "sad reproof"; she could
do anything but find words to fill out the feet of the last line. "Come
to me . . . Spoof!" With a sudden stabbing at my heart the question
interrogated me, Could Jean be ingenious enough to use those dots, after
the manner of our modern writers, to suggest something which she shrank
from saying in plain English? Here will I use some of them myself . . .
CHAPTER XX.
Public-domain text, read in full here on John Shaqi.
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