Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.Carter, Nicholas (House name)
General
Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
“That’s enough of pantomime,” it said, with a peculiar note of cruel,
triumphant command. “Now give us your confession from ‘The Daughters of
Men’--give it, but remember that you are not a great actress, that you
are so bad that you would be hooted from the cheapest stage. Remember
that you are ugly and dressed in rags, that you are awkward and ungainly
in your movements, that your voice is like a file. Remember it not only
now, but always. You will never be able to act. Your acting is a
nightmare, and you are a fright--when you aren’t a joke. But show us
what you can do in that confession scene.”
Nick and Chick grew tense as they listened to those unbelievable words,
and to the heartless chuckles and whisperings with which they were
received. Apparently there were several men in the “audience”--probably
Chester and some of Grantley’s other former accomplices.
The meaning was plain--all too plain.
The proud, beautiful Helga Lund was once more under hypnotic influence,
and Grantley, with devilish ingenuity, was impressing suggestions upon
her poor, tortured brain, suggestions which were designed to rob her of
her great ability, not only for the moment, but, unless their baneful
effect could be removed, for all the rest of her life.
She, who had earned the plaudits of royalty in most of the countries of
Europe, was being made a show of for the amusement of a handful of
ruthless scoffers.
It made the detectives’ blood boil in their veins and their hands clench
until their knuckles were white, but they managed somehow to keep from
betraying themselves.
The employment of hypnotism in such a way was plainly within the scope
of the new law against unwarranted operations or experiments on human
beings, without their consent; but it was necessary to secure as much
evidence as possible before interfering.
To that end Nick Carter took out of a pocket case a curious little
instrument, which he was in the habit of calling his “keyhole
periscope.”
It consisted of a small black tube, about the length and diameter of a
lead pencil. There was an eyepiece at one end. At the other a
semicircular lens bulged out.
It was designed to serve the same purpose as the periscope of a
submarine torpedo boat--that is, to give a view on all sides of a given
area at once. The exposed convex lens, when thrust through a keyhole or
other small aperture, received images of objects from every angle in the
room beyond, and magnified them, in just the same way as the similarly
constructed periscope of a submarine projects above the level of the
water and gives those in the submerged vessel below a view of all
objects on the surface, within a wide radius.
Nick had noted that there was no key in the lock of the door. Taking
advantage of that fact, he crept silently forward, inserted the
wonderful little instrument in the round upper portion of the hole, and,
stooping, applied his eye to the eyepiece.
Public-domain text, read in full here on John Shaqi.
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