Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer. — John Shaqi
Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.Carter, Nicholas (House name)
General
Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
He could not resist an involuntary start as he caught his first glimpse
of the extraordinary scene within.
The whole interior of the room was revealed to him. Around the walls
were seated three young men of professional appearance. Nick recognized
them all. They were Doctor Chester, Doctor Willard, and Doctor Graves,
three of Grantley’s former satellites.
They were leaning forward or throwing themselves back in different
attitudes of cruel enjoyment and derision, while Grantley stood at one
side, his hawklike face thrust out, his keen, pitiless eyes fixed
malignantly on the figure in the center of the room.
Nick’s heart went out in pity toward that pathetic figure, although he
could hardly believe his eyes.
It was that of Helga Lund, but so changed as to be almost
unrecognizable.
Her splendid golden hair hung in a matted, disordered snarl about her
face, which was pale and smudged with grime. She was clothed in the
cheapest of calico wrappers, hideously colored, soiled and torn, beneath
which showed her bare, dust-stained feet.
She had thrown herself upon her knees, as the part required; her
outstretched hands were intertwined beseechingly, and her wonderful eyes
were raised to Grantley’s face. In them was the hurt, fearful look of a
faithful but abused dog in the presence of a cruel master.
Her tattered sleeves revealed numerous bruises on her perfectly formed
arms.
The part of the play which Grantley had ordered her to render was that
in which the heroine pleaded with her angry lover for his forgiveness of
some past act of hers, which she had bitterly repented.
She was reciting the powerful lines now. They had always held her great
audiences breathless, but how different was this pitiable travesty!
It would have been hard enough at best for her to make them ring true
when delivered before such unsympathetic listeners and in such an
incongruous garb, but she was not at her best. On the contrary, her
performance was infinitely worse than any one would have supposed
possible.
She had unconsciously adopted every one of the hypnotist’s brutal
suggestions.
There was not a vestige of her famous grace in any of her movements. The
most ungainly slattern could not have been more awkward.
Her words were spoken parrotlike, as if learned by rote, without the
slightest understanding of their meaning. For the most part, they
succeeded one another without any attempt at emphasis, and when emphasis
was used, it was invariably in the wrong place.
It was her voice itself, however, which gave Nick and Chick their
greatest shock.
The Lund, as she was generally called in Europe, had always been
celebrated for her remarkably musical voice; but this sorry-looking
creature’s voice was alternately shrill and harsh. It pierced and rasped
and set the teeth on edge, just as the sound of a file does.
Public-domain text, read in full here on John Shaqi.
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