Nigeria : $b Its peoples and its problemsMorel, E. D. (Edmund Dene)
History
Nigeria : $b Its peoples and its problems
Morel, E. D. (Edmund Dene)
Ethnology -- Nigeria; Nigeria -- Description and travel
And with it the sound of the drum, the everlasting drum; stimulus to
labour, spirit of the dance, dirge at the death-bed, call to the feast,
frenzy-lasher at the religious ceremonial, medium of converse, warner of
peril, bearer of news, telephone and telegraph in one. Go where you will,
you cannot escape the drum—where human life is. The everlasting drum
which heralds the setting sun, which ushers in the morn, which troubles
your sleep and haunts your dreams. Borne across the silent waters,
booming through the sombre forest, rising from the murmuring town,
cheering on the railway cutters—the fascinating, tedious, mysterious,
maddening, attractive, symbolic, inevitable, everlasting African drum.
* * * * *
I suppose they must be thirsty like every other living thing in the
glare of the sun and the heat of the sky and the dust of the track,
for they crowd thick and fast about the _kurimi_, the narrow belt of
vegetation (a blessed sight in the “dries”) where the stream cuts
the road. _Pieridæ_ with white and yellow wings; _Lycaenæ_ shot with
amethyst and azure; _Theklas_, too, or what I take for such, with long,
fragile, waving extremities, infinitely beautiful. Now and then a black
and green _Papilio_, flashing silver from his under wing, harbinger of
spring. Or some majestic, swift-flying _Charaxes_ with broad and white
band on a centre of russet brown—not the _castor_, alas! nor yet the
_pollux_—I have yet to live to see _them_ afloat ’neath the African sun.
Narrow veins of muddy ooze trickle from the well-nigh dried-up bed.
And here they congregate in swarms, proboscis thrust into the nectar,
pumping, pumping up the liquid, fluttering and jostling one another for
preferential places even as you may see the moths do on the “treacles” at
home. The butterfly world is much like the human world after all in its
egotism.
But if you want to see it at its best, plunge into the cool forest glades
before the sun has attained his _maximum_ (when even the butterflies
rest) and watch the green and gold _Euphædra_ dodging in and about the
broad green leaves or tangled creepers. See him spread his glorious
panoply where that fitful sunbeam has somehow managed to pierce the
vault. A sight for the dear gods, I tell you—is the _Euphædra_ sunning
himself on a Niger forest path. Men and politics become as small fry.
The right perspective asserts itself. You almost forget the beastly,
clogging, mentally muddling helmet (how the Almighty has blessed the
African by granting him a thick skull which he can carry on his neck,
shaved—shaved, mind you (the bliss of it even in thought!),—and as clean
as a billiard ball at that) as you watch the _Euphædra_, and absorb the
countless other delights the forest contains, foremost amongst them
silence, silence from humans at least. “These are the best days of my
life. These are my golden days.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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