Nigeria : $b Its peoples and its problemsMorel, E. D. (Edmund Dene)
History
Nigeria : $b Its peoples and its problems
Morel, E. D. (Edmund Dene)
Ethnology -- Nigeria; Nigeria -- Description and travel
A long, broad stretch of golden sands. Winding through them the clear
green water of the reduced Kaduna. Several dug-outs, manned by Nupes,
magnificent specimens of muscular development, cross backwards and
forwards with men, women, and children conveying wares to market. Small
mites, naked and tubby, splash and rollick about on the water’s edge.
Lower down stream fishermen are getting out their nets, and, at a
shallow ford, shepherds are piloting a flock of sheep across, from whose
scattered ranks a chorus of loud bleating arises. A file of pack donkeys
stream across the sands to the village on the opposite bank. We watch the
sight from the foot of a great tree, from which hang sundry charms, and
as we sit there—it is a rendezvous, it seems, and a small market-place
in its way—several young women stroll towards us bearing wares in grass
platters which they spread close to us on the ground, conversing in low
tones broken now and again by the jolly African laughter—the mirth of the
child of nature with few cares and fewer responsibilities. The winding
river, the golden sands, the blue sky, the two villages—one on either
side of the crossing—with their conical thatched roofs, the green of the
trees and of the water, the peaceful, quiet human life, combine to make
as pretty and as harmonious a picture as you would wish to see.
* * * * *
Tramp, tramp, tramp! The stamping of innumerable feet. The murmur of
innumerable voices. The waving of arms, the jangle of iron anklets, and
the rising cloud of dust beneath the trampling of bare toes. The dancers
range themselves in a wide circle, which slowly revolves in the light of
the moon, now lighting up this part, anon the other part, giving a grey
and ghostly look to the naked shoulders and close-cropped heads. _Aah!
Aah! Aah!_ The chant rises and falls, monotonous, barbaric. Bracelets and
anklets, amulets and charms clash and clang again as the wearers thereof
bend this way and that, crouching, stooping, flinging the upper part of
their bodies backwards, raising high the knee and bringing down the leg
with thunderous stamp, shaking themselves from head to foot like a dog
emerging from his bath. Naked bodies, but for a strip of jagged leather
falling athwart the hips; naked, lithe bodies on which the moon sheds her
beams. _Aah! Aah! Aah!_
Public-domain text, read in full here on John Shaqi.
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