Civilization, Modern -- 19th century; Literature -- History and criticism
This difficulty is removed if we suppose that Bacon, the courtier and
lawyer, with his other ambitions, was desirous of the fame of a great
philosopher; and that he induced Shakespeare, then in the prime of his
powers, to help him write the prose essays and treatises which are his
chief works. He has himself admitted that he did actually ask the aid
of the dramatists of his time in writing his books. This remarkable
fact is stated by Bacon in a letter to Tobie Matthew, written in June,
1623, in which he says that he is devoting himself to making his
writings more perfect--instancing the "Essays" and the "Advancement of
Learning"--"by the help of some good pens, which forsake me not." One
of these pens was that of Ben Jonson, the other might easily have been
that of Shakespeare. Certainly there was no better pen in England at
that time than his.
When Shakespeare's plays were being produced, Lord Bacon was fully
occupied in his law practice, his parliamentary duties, and his
office-seeking. The largest part of the Shakespeare drama was put on
the stage, as modern research renders probable, in the ten or twelve
years beginning with 1590. In 1597 Shakespeare was rich enough to buy
the new place at Stratford-on-Avon, and was also lending money. In 1604
he was part owner of the Globe Theatre, so that the majority of the
plays which gained for him this fortune must have been produced before
that time. Now, these were just the busiest years of Bacon's life. In
1584 he was elected to Parliament. About the same time, he wrote his
famous letter to Queen Elizabeth. In 1585 he was already seeking office
from Walsingham and Burleigh. In 1586 he sat in Parliament for Taunton,
and was active in debate and on committees. He became a bencher in the
same year, and began to plead in the courts of Westminster. In 1589 he
became queen's counsel, and member of Parliament for Liverpool. After
this he continued active, both in Parliament and at the bar. He sought,
by the help of Essex, to become Attorney-General. From that period, as
crown lawyer, his whole time and thought were required to trace and
frustrate the conspiracies with which the kingdom was full. It was
evident that during these years he had no time to compose fifteen or
twenty of the greatest works in any literature.
Public-domain text, read in full here on John Shaqi.
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