The most of the succeeding numbers had reference to politics, but room was found for excursions in other fields: "Monier's Advertisement for a School," and "Newtonian Philosophy," served as pegs from which to hang rhymed jests, and the writers would very likely have taken a wider range if there had been a wider range in public interests. But politics dominated thought, and the wits were as bitter partisans as they were clever rhymesters. The poetry of the anti-Jacobin supplied them with the suggestion of form; but there was not the lightness of touch or deft mimicry which characterized those remarkable political skits. As one reads the "Echo," and the "Green-house," and Trumbull's "McFingal," he is constantly reminded of the heaviness of the education which formed the substance of the writers' preparation for their task. The rudeness of the satire is the rudeness of a homespun society. The authors of the "Echo," when the series came to be reissued in a volume, provided a somewhat solemn preface, in which they say: "The principal poems in this volume, under the title of the 'Echo,' owed their origin to the accidental suggestion of a moment of literary sportiveness, at a time when pedantry, affectation, and bombast pervaded most of the pieces published in the gazettes, which were then the principal vehicles of literary information. Willing to lend their aid to check the progress of false taste in American literature, the authors conceived that ridicule would prove a powerful corrective, and that the mode employed in the 'Echo' was the best suited to this purpose.... But the ridicule of a vitiated mode of writing was not long the sole object of the 'Echo.' The important political changes which soon after occurred, not only in Europe, but in America, produced a corresponding change in the republic of letters; and some of the principal gazettes of this country exhibited a disgusting display, not only of a perversion of taste in composition, but a still greater perversion of principle, in that hideous morality of revolutionary madness, which, priding itself in an emancipation from moral obligation, leveled the boundaries of virtue and vice, while it contemptuously derided the most amiable and sacred feelings of our nature. Disgusted with the cruelties exhibited by the French Revolution at a very early stage of its progress, and viewing it as a consuming fire, which, in the course of its conflagration, threatened to destroy whatever was most valuable in society, the authors wished to contribute their efforts in stemming the torrents of Jacobinism in America, and resolved to render the 'Echo' subservient to that purpose. They therefore proceeded to attack, as proper objects of satire, those tenets, as absurd in politics as pernicious in morals, the visionary scheme of equality, and the baleful doctrine that sanctions the pursuit of a good end by the most flagitious means."