Dramatists -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction
The next morning he received five hurried lines from Mrs. Alsager. She
had suddenly been called to Torquay, to see a relation who was seriously
ill; she should be detained there several days, but she had an earnest
hope of being able to return in time for his first night. In any event
he had her unrestricted good wishes. He missed her extremely, for these
last days were a great strain and there was little comfort to be derived
from Violet Grey. She was even more nervous than himself, and so pale
and altered that he was afraid she would be too ill to act. It was
settled between them that they made each other worse and that he had now
much better leave her alone. They had pulled Nona so to pieces that
nothing seemed left of her—she must at least have time to grow together
again. He left Violet Grey alone, to the best of his ability, but she
carried out imperfectly her own side of the bargain. She came to him
with new questions—she waited for him with old doubts, and half an hour
before the last dress-rehearsal, on the eve of production, she proposed
to him a totally fresh rendering of his heroine. This incident gave him
such a sense of insecurity that he turned his back on her without a word,
bolted out of the theatre, dashed along the Strand and walked as far as
the Bank. Then he jumped into a hansom and came westward, and when he
reached the theatre again the business was nearly over. It appeared,
almost to his disappointment, not bad enough to give him the consolation
of the old playhouse adage that the worst dress-rehearsals make the best
first nights.
Public-domain text, read in full here on John Shaqi.
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