Dramatists -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction
The morrow, which was a Wednesday, was the dreadful day; the theatre had
been closed on the Monday and the Tuesday. Every one, on the Wednesday,
did his best to let every one else alone, and every one signally failed
in the attempt. The day, till seven o’clock, was understood to be
consecrated to rest, but every one except Violet Grey turned up at the
theatre. Wayworth looked at Mr. Loder, and Mr. Loder looked in another
direction, which was as near as they came to conversation. Wayworth was
in a fidget, unable to eat or sleep or sit still, at times almost in
terror. He kept quiet by keeping, as usual, in motion; he tried to walk
away from his nervousness. He walked in the afternoon toward Notting
Hill, but he succeeded in not breaking the vow he had taken not to meddle
with his actress. She was like an acrobat poised on a slippery ball—if
he should touch her she would topple over. He passed her door three
times and he thought of her three hundred. This was the hour at which he
most regretted that Mrs. Alsager had not come back—for he had called at
her house only to learn that she was still at Torquay. This was probably
queer, and it was probably queerer still that she hadn’t written to him;
but even of these things he wasn’t sure, for in losing, as he had now
completely lost, his judgment of his play, he seemed to himself to have
lost his judgment of everything. When he went home, however, he found a
telegram from the lady of Grosvenor Place—“Shall be able to come—reach
town by seven.” At half-past eight o’clock, through a little aperture in
the curtain of the “Renaissance,” he saw her in her box with a cluster of
friends—completely beautiful and beneficent. The house was
magnificent—too good for his play, he felt; too good for any play.
Everything now seemed too good—the scenery, the furniture, the dresses,
the very programmes. He seized upon the idea that this was probably what
was the matter with the representative of Nona—she was only too good. He
had completely arranged with this young lady the plan of their relations
during the evening; and though they had altered everything else that they
had arranged they had promised each other not to alter this. It was
wonderful the number of things they had promised each other. He would
start her, he would see her off—then he would quit the theatre and stay
away till just before the end. She besought him to stay away—it would
make her infinitely easier. He saw that she was exquisitely dressed—she
had made one or two changes for the better since the night before, and
that seemed something definite to turn over and over in his mind as he
rumbled foggily home in the four-wheeler in which, a few steps from the
stage-door, he had taken refuge as soon as he knew that the curtain was
up. He lived a couple of miles off, and he had chosen a four-wheeler to
drag out the time.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account