Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
In that strange island—Iceland—burst up, the geologists say, by
fire, from the bottom of the sea; a wild land of barrenness and
lava; swallowed, many months of the year, in black tempests, yet
with a wild, gleaming beauty in summer-time; towering up there,
stern and grim, in the North Ocean; with its snow-jökuls, roaring
geysers, sulphur pools and horrid volcanic chasms, like the waste,
chaotic battle-field of frost and fire—where of all places we least
looked for literature or written memorials; the record of these
things was written down. On the seaboard of this wild land is a rim
of grassy country, where cattle can subsist, and men, by means of
them and of what the sea yields; and it seems they were poetic men,
these—men who had deep thoughts in them, and uttered musically their
thoughts. Much would be lost had Iceland not been burst up from the
sea—not been discovered by the Northmen! The old Norse poets were
many of them natives of Iceland.
Sæmund, one of the early Christian priests there, who perhaps had a
lingering fondness for paganism, collected certain of their old
pagan song, just about becoming obsolete then—poems or chants, of a
mythic, prophetic, mostly all of a religious, character: this is
what Norse critics call the _Elder_ or Poetic _Edda_. _Edda_, a word
of uncertain etymology, is thought to signify _Ancestress_. Snorre
Sturleson, an Iceland gentleman, an extremely notable personage,
educated by this Sæmund’s grandson, took in hand next, near a
century afterwards, to put together, among several other books he
wrote, a kind of prose synopsis of the whole mythology, elucidated
by new fragments of traditionary verse; a work constructed really
with great ingenuity, native talent, what one might call unconscious
art; altogether a perspicuous, clear work—pleasant reading still.
This is the _Younger_ or Prose _Edda_. By these and the numerous
other _Sagas_, mostly Icelandic, with the commentaries, Icelandic or
not, which go on zealously in the North to this day, it is possible
to gain some direct insight even yet, and see that old system of
belief, as it were, face to face. Let as forget that it is erroneous
religion: let us look at it as old thought, and try if we cannot
sympathize with it somewhat.
Public-domain text, read in full here on John Shaqi.
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