Latin America -- Fiction; Political fiction; Revolutions -- Fiction; Sailors -- Fiction; Sea stories
The weather-stained effigy of the mounted king, with its vague
suggestion of a saluting gesture, seemed to present an inscrutable
breast to the political changes which had robbed it of its very name;
but neither did the other horseman, well known to the people, keen and
alive on his well-shaped, slate-coloured beast with a white eye, wear
his heart on the sleeve of his English coat. His mind preserved its
steady poise as if sheltered in the passionless stability of private
and public decencies at home in Europe. He accepted with a like calm the
shocking manner in which the Sulaco ladies smothered their faces with
pearl powder till they looked like white plaster casts with beautiful
living eyes, the peculiar gossip of the town, and the continuous
political changes, the constant “saving of the country,” which to his
wife seemed a puerile and bloodthirsty game of murder and rapine played
with terrible earnestness by depraved children. In the early days of
her Costaguana life, the little lady used to clench her hands with
exasperation at not being able to take the public affairs of the country
as seriously as the incidental atrocity of methods deserved. She saw in
them a comedy of naive pretences, but hardly anything genuine except
her own appalled indignation. Charles, very quiet and twisting his long
moustaches, would decline to discuss them at all. Once, however, he
observed to her gently--
“My dear, you seem to forget that I was born here.” These few words made
her pause as if they had been a sudden revelation. Perhaps the mere
fact of being born in the country did make a difference. She had a great
confidence in her husband; it had always been very great. He had struck
her imagination from the first by his unsentimentalism, by that very
quietude of mind which she had erected in her thought for a sign of
perfect competency in the business of living. Don Jose Avellanos, their
neighbour across the street, a statesman, a poet, a man of culture, who
had represented his country at several European Courts (and had suffered
untold indignities as a state prisoner in the time of the tyrant Guzman
Bento), used to declare in Dona Emilia’s drawing-room that Carlos had
all the English qualities of character with a truly patriotic heart.
Public-domain text, read in full here on John Shaqi.
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