Guzman Bento of cruel memory had put to death great numbers of people besides Charles Gould’s uncle; but with a relative martyred in the cause of aristocracy, the Sulaco Oligarchs (this was the phraseology of Guzman Bento’s time; now they were called Blancos, and had given up the federal idea), which meant the families of pure Spanish descent, considered Charles as one of themselves. With such a family record, no one could be more of a Costaguanero than Don Carlos Gould; but his aspect was so characteristic that in the talk of common people he was just the Inglez--the Englishman of Sulaco. He looked more English than a casual tourist, a sort of heretic pilgrim, however, quite unknown in Sulaco. He looked more English than the last arrived batch of young railway engineers, than anybody out of the hunting-field pictures in the numbers of Punch reaching his wife’s drawing-room two months or so after date. It astonished you to hear him talk Spanish (Castillan, as the natives say) or the Indian dialect of the country-people so naturally. His accent had never been English; but there was something so indelible in all these ancestral Goulds--liberators, explorers, coffee planters, merchants, revolutionists--of Costaguana, that he, the only representative of the third generation in a continent possessing its own style of horsemanship, went on looking thoroughly English even on horseback. This is not said of him in the mocking spirit of the Llaneros--men of the great plains--who think that no one in the world knows how to sit a horse but themselves. Charles Gould, to use the suitably lofty phrase, rode like a centaur. Riding for him was not a special form of exercise; it was a natural faculty, as walking straight is to all men sound of mind and limb; but, all the same, when cantering beside the rutty ox-cart track to the mine he looked in his English clothes and with his imported saddlery as though he had come this moment to Costaguana at his easy swift pasotrote, straight out of some green meadow at the other side of the world. His way would lie along the old Spanish road--the Camino Real of popular speech--the only remaining vestige of a fact and name left by that royalty old Giorgio Viola hated, and whose very shadow had departed from the land; for the big equestrian statue of Charles IV. at the entrance of the Alameda, towering white against the trees, was only known to the folk from the country and to the beggars of the town that slept on the steps around the pedestal, as the Horse of Stone. The other Carlos, turning off to the left with a rapid clatter of hoofs on the disjointed pavement--Don Carlos Gould, in his English clothes, looked as incongruous, but much more at home than the kingly cavalier reining in his steed on the pedestal above the sleeping leperos, with his marble arm raised towards the marble rim of a plumed hat.