Notes and Queries, Number 210, November 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 210, November 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
And M. Amand Saintes is a Frenchman, and a most erudite man. The Celebrated
Frau Bettina von Arnim, who dared to translate into English and to print in
Berlin (apud Trowitzsch and Son, 1838), under the new title of _Diary of a
Child_, her own untranslateable letters to Goethe, had at least the very
good excuse of her nationality for her peculiar English, the choicest,
funniest, maddest, and saddest English ever penned on this planet or in any
other, and of which I hope "N. & Q." will accept some small specimens,
taken at random among thousands such. To begin with the opening address:
"_To the English Bards_.
"Gentlemen!--The noble cup of your mellifluous tongue so often brimmed
with immortality, here filled with odd but pure and fiery draught, do
not refuse to taste if you relish its spirit to be homefelt, though not
home-born."
"BETTINA ARNIM."
We will next pass to the "Preamble":
"The translating of Goethe's Correspondence with a Child into English
was generally disapproved of. Previous to its publication in Germany,
the well-renowned Mrs. Austin, by regard for the great German poet,
proposed to translate it; but after having perused it with attention,
the literate and the most famed bookseller of London thought
unadvisable the publication of a book that in every way widely differed
from the spirit and feelings of the English, and therefore it could not
be depended upon for exciting their interest. Mrs. Austin, by her
gracious mind to comply with my wishes, proposed to publish some
fragments of it, but as no musician ever likes to have only those
passages of his composition executed that blandish the ear, I likewise
refused my assent to the maiming of a work, that not by my own merit,
but by chance and nature became a work of art, that only in the
untouched development of its genius might judiciously be enjoyed and
appraised."
Our next and last is taken from p. 133.:
"From those venturesome and spirit-night-wanderings I came home with
garments wet with melted snow; they believed I had been in the garden.
When night I forgot all; on the next evening at the same time it came
back to my mind, and the fear too I had suffered; I could not conceive,
how I had ventured to walk alone on that desolate road in the night,
and to stay on such a waste dreadful spot; I stood leaning at the court
gate; to-day it was not so mild and still as yesterday; the gales rose
high and roared along; they sighed up at my feet and hastened on yonder
side, the fluttering poplars in the garden bowed and flung off their
snow-burden, the clouds drove away in a great hurry, what rooted fast
wavered yonder, and what could ever be loosened, was swept away by the
hastening breezes." (!!!).
P. S.--Excuse my French-English.
PHILARETE CHASLES, Mazarianaeus
Paris, Palais de l'Institut.
* * * * *
Public-domain text, read in full here on John Shaqi.
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