Notes and Queries, Vol. III, Number 86, June 21, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Vol. III, Number 86, June 21, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Vol. III, Number 86, June 21, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
Can any of your readers favour me with the text in Bellarmin, which
contains this "monstrous paradox?"
HENRY H. BREEN.
St. Lucia, May, 1851.
[The passage will be found in _Disputationum Roberti Bellarmini,
de Controversiis Christianæ Fidei: De Summo Pontifice_, lib. iv.
cap. v. sect. 8.: Pragæ, 1721, fol., vol. i. p. 456.:
"8. Secundò, quia tunc necessariò erraret, etiam circa fidem. Nam
fides Catholica docet, omnem virtutem esse bonam, omne vitium esse
malum: si autem Papa erraret præcipiendo vitia, vel prohibendo
virtutes, teneretur Ecclesia credere, vitia esse bona, et virtutes
malas, nisi vellet contra conscientiam peccare. Tenetur enim in
rebus dubiis Ecclesia acquiescere judicio summi Pontificis, et
facere quod ille præcipit; non facere, quod ille prohibet; ac nè
fortè contra conscientiam agat, tenetur credere bonum esse, quod
ille præcipit: malum, quod ille prohibet."]
Replies.
SHAKSPEARE'S USE OF "CAPTIOUS" AND "INTENIBLE." SHAKSPEARE'S "SMALL
LATIN."
(Vol. ii., p. 354.; Vol. iii., p. 65.)
This is another discussion in which Shakspeare's love of antithesis has
not been sufficiently recognised.
The contrast in this case is in the ideas--ever receiving, never
retaining: an allusion to the hopeless punishment of the Danaïdes, so
beautifully appropriate, so unmistakeably apparent, and so well
supported in the context, that I should think it unnecessary to offer a
comment upon it had the question been raised by a critic less
distinguished than Mr. Singer; or if I did not fancy that I perceive the
origin of what I believe to be his mistake, in the misreading of another
line, the last in his quotation.
The hopelessness of Helena's love is cheerfully endured; she glories in
it:
"I know I love in vain--strive against hope--
Yet still outpour the waters of my love,
And lack not to lose still."
This last line Mr. Singer reads, "and fail not to lose still;" but
surely _that_ is not Helena's meaning? She means that her spring of love
is inexhaustible; that, notwithstanding the constant, hopeless waste,
there lacks not (a supply) "to lose still!"
Johnson was one of those commentators enumerated by Mr. Singer, of whom
he observes, as a matter of surprise, "that none of them should have
remarked that the sense of the Latin 'captiosus,' and of its congeners
in Italian and French, is deceitful, fallacious;" "and," he adds, "Bacon
uses the word for 'insidious,' 'ensnaring.'" But surely Johnson the
commentator was no other than Johnson the lexicographer; and yet, for
these precise definitions of "captious," which J. S. W. thinks "_too
refined and recondite_" for Shakspeare's "small Latin," we need apply to
no higher source than to that familiar household companion--_Johnson's
Dictionary_, wherein is anticipated the citation of Bacon, and even of
the French word "captieux."
Public-domain text, read in full here on John Shaqi.
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