Notes and Queries, Vol. III, Number 86, June 21, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Vol. III, Number 86, June 21, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
It is true that Johnson gives a definition of "triple," in reference to
its application to Antony, viz., "consisting of three conjoined;" but
that meaning, however it might be applicable to the triumvirate
collectively, is certainly not so to the members individually. To meet
Shakspeare's use of the word, the definition must be extended to
"consisting of, _or belonging to_, three conjoined:" a sense in which
"triplex" was undoubtedly used by the Latins. Ovid would call the
triumvirate "viri triplices," and of course each one must be "vir
triplex;" but perhaps the clearest instance of the triune application is
where he addresses the Fates (in _Ibin._ 76.) as spinning out "triplici
pollice" (with triple thumb) the allotted task. Now as only one of the
sisters held the thread, there could be but one individual thumb engaged
(although with a sort of reflective ownership to all three); and there
can be no question that Ovid would apply the same term to the shears of
Atropos, or the distaff of Clotho.
Here, then, is a _really recondite_ meaning, fairly traced to
Shakspeare's own reading; for had he borrowed it from any one else, some
trace of it would be found, and Warburton need not have stultified
himself by his sapient note--"IMPROPERLY USED FOR THIRD!"
But to return to "captious," there is, after all, no such great
difference whether it be one's goods, or one's wits, that are taken
possession of; or whether the capture be effected by avidity or fraud;
both meanings unite in our own word "caption:" and there seems no good
reason why "captious" should not derive from "caption," as readily as
"cautious" from "caution." It is for the antithesis I contend, as a key
to the true sense intended by Shakspeare: the whole play is full of
antitheses, uttered especially by Helena;--and certainly, if we
recognise the allusion to the Danaïdes (as who will not?), we cannot,
without depriving it of half its force and beauty, receive "captious" in
the sense of "deceptious." The Danaïdes _were not_ deceived--the essence
of their punishment was utter absence of hope; Tantalus _was_
deceived--the essence of _his_ punishment was hope ever recurring.
With respect to the suggestion of "capacious" by W.F.S. (p. 229.), he
could not have read Mr. Singer's paper with attention, or he would have
perceived that he had been anticipated by Farmer, who, by elision, had
obviated the metrical objection of J.S.W. (p. 430.). But the meaning of
"capacious" is "capable of containing," and, as such, it would be more
than antithetical, it would be contradictory, to "intenible." If
_capacious_ be consistent with _leaky_, then the "uxor secreti capax"
must have been rather an unsafe confidante.
A. E. B.
Leeds, June 5. 1851.
EARTH THROWN UPON THE COFFIN.
(Vol. iii., p. 408.)
Public-domain text, read in full here on John Shaqi.
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